M.203
2-Channel Scratch Mixer
User Manual
Contents
1. Introducton ................................................................................................................................................................ 1
1.1. Welcome to the M.203! ................................................................................................................................................. 1
1.2. Overview ........................................................................................................................................................................ 1
2. Connectng the M.203 ................................................................................................................................................. 2
3. M.203 Descripton ....................................................................................................................................................... 3
3.1. Top Panel ........................................................................................................................................................................ 3
3.2. Front Panel ..................................................................................................................................................................... 5
3.3. Rear Panel ...................................................................................................................................................................... 6
4. Using the M.203 .......................................................................................................................................................... 7
4.1. Front Panel Controls ...................................................................................................................................................... 7
4.1.1. Fader Start ........................................................................................................................................................... 7
4.1.2. Selectng and Reversing the Crossfader Curve .................................................................................................... 7
4.1.3. Selectng the Meter Source ................................................................................................................................. 7
5. Troubleshootng .......................................................................................................................................................... 8
Registraton Card ................................................................................................................................................................ 9
Stanton Warranty ............................................................................................................................................................. 10
Specificatons ................................................................................................................................................................... 11
iii
Introducton
1.
Introducton
1.1
Welcome to the M.203!
Thank you for purchasing the M.203.
Before startng, please check that the package your M.203 came in contains:
•
•
•
•
M.203 unit
Power Supply
RCA Cable (1)
User Manual
Now that you have checked that everything was included in the box, let’s talk about this excitng unit.
1.2
Overview
The M.203 is a 2-channel performance mixer with build quality and features that make it a leader in this price class. The clean and
intuitve design was designed by working DJs with the goal of creatng an approachable layout for aspiring DJs and a familiar look
and feel that experience pros will appreciate.
FEATURES INCLUDE:
• Rugged all metal inner-chassis design
• Soſt Start feature for no noise when powering on/off
• Adjustable crossfader curve with FET-isolated "Cut" setng
• 2-phono/line(switchable) & 2-line inputs with fader start
• 3-Band EQ per channel with complete KILL
• Cue Pan fader
• Mic input with Tone Control
• RCA main & record outputs
• 45 mm user replaceable, long-life Alpha crossfader
• 2 10-segment LED ladder meters
• Cue/Master meter switching
• Striking black/gray color scheme
Ok, now that we’ve covered the M.203 basics, let’s get started!
1
Connectng the M.203
2.
Connectng the M.203
Before startng to connect the M.203, please read the Important Safety Instructons page and the following guidelines:
Study this setup diagram (Figure 2.1). Make sure all faders are at "zero,” the Master knob is turned all the way counterclockwise,
and all devices are Off.
Figure 2.1
First, connect all input sources. Next, connect your microphone and headphones (located in the Front Panel, Figure 3.2). Finally,
connect the stereo outputs to the power amplifier(s) and/or audio receivers such as tape decks. Plug your mixer and other devices
into AC power. Now, switch everything on in the following order; audio input sources such as turntables or CD players first, then
your mixer, and finally any amplifiers.
When turning Off, always reverse this operaton by turning Off amplifiers, then your mixer, and lastly any input devices.
2
M.203 Descripton
3.
M.203 Descripton
3.1
Top Panel (Figure 3.1)
Figure 3.1
3
M.203 Descripton
Note Since Channels 1 (PH1/LN1) & 2 (PH2/LN2) contain the same controls and functonality; we will only describe them once
and duplicate the numbering:
1. Mic Volume (gAIN): Adjusts the volume of the MIC input.
2. Mic Tone: Adjusts the tonal balance of the MIC input, with either a Low Boost/High Cut or High Boost/Low Cut.
3. Fader Start (FDR START): Switches the FADER START ON/OFF. This feature is used to trigger playback on a connected
CD Player when the fader is used.
4. Input Selector Switch: Selects the Phono (PH) or Line (LN) input.
5. Channel gain (gAIN): Adjusts the pre-fader volume of the PH or LN input.
6. Channel EQ: Adjusts the HI, MID, and LOW frequency levels of the PH or LN input.
7. Channel Fader: Controls the output level of the selected input (PH or LN).
8. Meter Select Switch: Selects if the Meter displays the pre-channel fader (7) or Master (12) volume.
9. Level Meter: Displays the pre-channel fader (7) or Master (12) volume, depending on what is selected on the Meter Select
switch (8)
10. Fader Curve Switch: This switch selects between a LONG or SHARP fade for the crossfader.
11. Crosssfader: Fades between the Channel 1 and Channel 2 signals.
12. Master Level: Controls the overall output level.
13. Headphone Level: Adjusts cue volume.
14. Cue Source (Pre, Post, Master): This switch allows you to select two headphone sources: PRE, POST, or MASTER. On this
feature, PRE refers to the Crossfader (11). In PRE positon, the signal selected by the CUE PAN. On this feature, PRE refers to
the Crossfader (11). In PRE positon, the signal selected by the CUE PAN FADER (36) will be monitored (pre-line fader, pre-
crossfader) as a stereo signal in the headphones. In MASTER positon, the signal monitored will be pre-master volume (post-
faders), meaning the signal will stll be present in the headphone even if the Master volume control is turned down.
15. Cue Pan: Fades the headphone output between channels 1 and 2. This allows you to preview a mix, before bringing
up Channel Faders or moving the Crossfader.
4
M.203 Descripton (Front Panel)
3.2
M.203 Descripton - Front Panel (Figure 3.2)
Figure 3.2
1. Headphone Output: Standard 1/4” headphone output connector.
5
M.203 Descripton (Rear Panel)
3.3
M.203 Descripton - Rear Panel (Figure 3.3)
Figure 3.3
1. Power Switch: Turns the mixer ON or OFF.
2. DC IN: Input connecton for the included power supply. While the power is switched OFF, plug the power supply
into the mixer first, and then plug it into the outlet. Only use the supplied or official replacement Stanton® power supply.
3. Unbalanced Master output: RCA connectors are typically used to connect to a home stereo, or to another
mixer with RCA inputs for practcing or team routnes.
4. REC: The record output is not affected by the Master volume control. It can be used to record to a computer,
CD, MD, & tape recorder, even while the master volume is turned down.
5. Line Inputs: Unbalanced RCA jacks for connectng stereo audio from line level sources such as CD players,
Hi-Fi VCRs, cassete decks, DAT machines, laser discs, tuners, Mini Discs, even synthesizers or other mixing
consoles. Plug mono audio sources into both Leſt and Right inputs using a "Y" cable connector.
6. Line/Phono Inputs: Unbalanced RCA jacks for connectng stereo audio from sources such as Turntables, CD players,
Hi-Fi VCRs, cassete decks, DAT machines, laser discs, even synthesizers or other mixing
consoles. When connectng a turntable, make sure the switch labeled “Ph/Line” is switched to “Phono”. When connectng a
Line/Level source, make sure the switch is turned to “Line”
7. Line/Phono Input Switch: This switch actvates the Phono Preamp on the Line/Phono input for use with Turntables.
8. ground connector: To eliminate electrical hum, connect the ground cable from your standard turntable ground
post to the M.203 ground terminal. Some turntables (like the Stanton STR8.150) do not require grounding wire.
9. Fader Start: To use this functon you need a CD player with the Fader Start feature and its related cable so you
can use the Crossfader to start and stop the CD player. The Fader Start switch (Front Panel, Figure 3.1, 3) actvates
the Fader Start feature. When the Fader Start switch is in the ON positon, this functon allows the fader to
actvate or return to the preset Cue Point on your compatble CD Player.
10. Microphone Input (Mic): Connect a standard unbalanced (1/4") microphone.
6
Using the M.203
4.
Using the M.203
4.1
Top Panel Controls (Figure 4.1)
Figure 4.1
4.1.1
Fader Start
Fader start enables the Crossfader on the M.203 mixer to start and stop playback on a CD player. To use this functon you need a
CD player (like Stanton’s C.324) with the Fader Start feature and its related cable. You can use this feature to trigger playback on a
deck that might be just out of physical reach or to do a fader based beat juggle between 2 decks.
The Fader Start switch actvates the Fader Start feature. When the Fader Start switch is in the ON positon, this functon allows the
fader to actvate or return to the preset Cue Point on your compatble CD Player.
Now, let’s customize the Crossfader curve.
4.1.2
Selectng the Crossfader Curve
1. Use the Crossfader Curve (CF CURVE) knob to select between a MIX or CUT fade for the Crossfader. Use the MIX setng
for fading between two sources. Select the CUT setng for scratching or rapid mixing.
4.1.3
Selectng the Meter Source
1. Use the Meter Select switch to select Selects if the Meter displays the pre-channel fader or Master volume. Select the
CUE positon to listen to the Pre-Fader signal, using the Cue Fader to practce your mix before playing. Select the MASTER
positon to listen to the sound from the Master Output through your headphones.
7
Troubleshootng
5.
Troubleshootng
Problem / Symptom
Possible Cause / Soluton
No Sound.
Is the power ON? Based on your connectons, check that you
have properly set the Input Selector Switch. Make sure that the
Input Gain, Channel Fader, and Master output are turned up.
Make sure the channels are properly assigned to the Crossfader.
No Sound-Headphones.
First check that the Headphone Level knob is turned up, and then
check the Cue Source (Pre, Post, Master) and Cue Pan setngs.
Mixer sounds noisy.
If a microphone is not being used, turn all its related controls
down.
Microphone doesn’t work.
Is the Mic gain turned up? Does the microphone require
phantom power? This mixer does not provide microphone
phantom power.
Sound is distorted-Line Input.
Turn down the Input Gain Control. Check EQ setngs.
Sound is distorted-Phono/Line Input.
Make sure that the Phono/Line switch is selectng the proper
source input (‘Phono’ for turntables, ‘Line’ for CD players, etc.
that the Turn down the Input Gain Control and check EQ setngs.
The Fader Start feature does not work.
I hear noise/hum.
Are you using a CD player that includes that feature?
Are you properly connectng the Fader Start cable?
Is the Fader Start switch set to ON?
Check the Crossfader positon.
Make sure you are using good shielded audio cables. Some less
expensive audio cables can be susceptble to hum and
interference. Keep your audio cables away from AC power cables
and AC transformers. Make sure the mixer is not mounted too
close to high power amplifiers or lightng equipment power
supplies or ballasts. Make sure your turntables are properly
grounded to the back of the mixer if they include a grounding
wire.
I hear feedback.
If you are using a microphone, make sure that you are not too
close to the speakers or headphones. If you hear feedback on
the Phono Input, then the turntable may be mounted to close
to the speakers and/or subwoofer. Also, make sure the turntable
base is placed on a surface that does not vibrate or resonate
easily when the speakers are turned up loudly.
8
Registraton Card
Thank you for choosing Stanton!
Your satsfacton is extremely important to us. We proudly stand behind the quality of our work and appreciate that you put your trust in us.
Registering your product will help us guarantee that you are kept up to date on our latest advances.
Warranty Service in the United States:
Please contact Stanton Tech Support BEFORE sending your product. In some cases, our Tech Support team can resolve your problem immediately,
avoiding down tme due to shipping delays. However, if Tech Support determines that a repair is needed; please call us at +1 (954) 949-9600 to
obtain a Return Authorizaton Number (RA#) PRIOR to shipping your product to us.
Warranty Service outside the United States:
To initate a warranty repair, please contact the authorized Stanton dealer from whom you purchased your product, and follow the dealer’s return
policy.
Save your shipping boxes and all packaging materials!
For the fastest and safest product return to Stanton, please use the original shipping carton and packaging materials. Stanton cannot be responsible
for any damages incurred during the shipping process due to poor or inadequate packing. Please remember to insure your shipment!
9
Stanton Warranty
Stanton Warranty
Through Stanton's authorized dealers around the World, Stanton, or one of Stanton's authorized distributors outside the U.S., will, without charge,
repair or replace, at the sole discreton of the entty responsible for making the repair or providing the replacement, any Stanton merchandise
proved defectve in material or workmanship for a period of one (1) year following the date of original purchase. Exceptons to this warranty are
as noted below:
The warranty for mechanical parts which are subject to wear and tear are limited to either the earlier of thirty (30) days following the date of
original purchase or for 10,000 cycles for switches.
Stanton will warrant all replacement parts and repairs for ninety (90) days from the date of original shipment. Repairs made necessary by reason
of misuse, alteraton, normal wear, or accident are not covered under this warranty.
Returns
Authorized Stanton dealers are only authorized to sell and distribute merchandise within a specific country. All goods requiring warranty repair
or replacement must be returned (freight prepaid if not hand-delivered) to the authorized Stanton dealer from whom the merchandise was
purchased and in the same country where the merchandise was purchased. For purposes of purchases made via the Internet, the merchandise
must be returned to the authorized Stanton dealer in the country where the authorized Stanton dealer which sold the merchandise to purchaser
is located and not the authorized Stanton dealer in the country where the purchaser is located or the country in which the merchandise was
received. Any returns to a non-authorized dealer or to an authorized Stanton dealer not in the same country as the merchandise was intended
to be sold or as set forth above will void this warranty.
To initate a warranty repair, you must contact the authorized Stanton dealer from whom you purchased the merchandise, and follow such
authorized Stanton dealer's return policy.
Stanton assumes no risk and shall be subject to no liability for damages or loss resultng from the specific use or applicaton made of the
merchandise. Stanton's liability for any claim, whether based on breach of contract, negligence, infringement of any rights of any party, or product
liability, and relatng to the merchandise shall not exceed the price received by Stanton from your purchase of such merchandise. In no event will
Stanton be liable for any special, incidental or consequental damages (including loss of use, loss of profit and claims of third partes) however
caused, whether by the negligence of Stanton or otherwise. To the extent permited by law and except as otherwise provided above, Stanton
disclaims any express or implied warrantes of merchantability or fitness for a partcular purpose.
The above warranty provides you with specific legal rights. You may also have additonal rights, which are subject to variaton from state to state
and country to country.
If there is a dispute regarding the warranty of merchandise that does not fall under the warranty conditons stated above, please include a writen
explanaton with the merchandise when returned pursuant to the terms and conditons set forth herein.
10
Specificatons
Specificatons
1. POWER:
AC 100 – 240 V, 50/60 Hz, 16 W
2. DIMENSIONS (H x W x D)
108.2 mm x 250 mm x 352.6 mm
10.82 cm x 25 cm x 35.26 cm
3. WEIgHT:
9.25 lbs / 4.2 kg
4. STANDARD TEST CONDITION:
Ambient Temperature: 22 +/- 2%
Relatve Humidity: 65 +/- 5%
5. INPUT/OUTPUT IMPEDANCE & SENSITIVITY:
(EQ FLAT, UNITY GAIN (ALL GAIN, LEVEL AT CENTER, FADER MAXIMUM), FX OFF, LOAD=100K ohm)
5-1. Input Impedance and Reference Level:
Line:
20K ohm /-10 dBV +/-0.1 dB (316 mV)
Phono:
47K ohm /-50 dBV +/-0.1 dB (3.16 mV)
10K ohm /-50 dBV +/-0.1 dB (3.16 mV)
Mic:
5-2. Output Impedance and Level:
Rec:
2.2K ohm /-10 dBV (316 mV) +/-2 dB
1K ohm /-10 dBV (316 mV) +/-2 dB
33 ohm /-10 dBV (316 mV) +/-2 dB
Master Unbal:
Phones (Load=32 ohm)
6. FREQUENCY RESPONSE: (EQ FLAT, UNITY GAIN, FX OFF, LOAD=100K ohm)
Line:
20 Hz – 20 kHz +/-2 dB
Phono:
20 Hz – 20 kHz +2/-3 dB (RIAA)
20 Hz – 20 kHz +2/-3 dB
Mic:
7. THD + N: (EQ FLAT, UNITY GAIN, FX OFF, W/20 kHz LPF, LOAD=100K ohm)
Line:
Less than 0.03% @1 kHz
Phono:
Mic:
Less than 0.1% @ 1 kHz (A-WEIGHTED)
Less than 0.1% @ 1 kHz (A-WEIGHTED)
8. MAXIMUM INPUT: (1 kHz, THD=1%, EQ FLAT, UNITY GAIN, FX OFF, LOAD=100K ohm)
Line:
More than +14 dBV
Phono:
Mic:
More than -26 dBV
More than -26 dBV
9. MAXIMUM OUTPUT: (1 kHz, THD=1%, EQ FLAT, MAXIMUM GAIN, FX OFF, LOAD=100K ohm)
Master:
Rec:
More than +18 dBV (8.0 V)
More than +13 dBV (4.5 V)
Phones
More than +4 dBV (1.58 V) LOAD=32 ohm
10. NOISE FLOOR: (EQ FLAT, UNITY GAIN, FX OFF, W/20 kHz LPF, A-WEIGHTED, LOAD=100K ohm)
Line, Aux:
Phono:
Mic:
Less than -86 dBV
Less than -75 dBV
Less than -76 dBV
11. CROSSTALK: (EQ FLAT, UNITY GAIN, FX OFF, W/20 kHz LPF, A-WEIGHTED, MASTER = +14 dBV OUTPUT)
L.R Separaton:
More than 65 dB @ 1 kHz for LINE, and PHONO
Between Channels:
More than 70 dB @1 kHz for LINE to LINE,MIC
More than 70 dB @ 1 kHz for LINE to PHONO
12. EQ: (UNITY GAIN, FX OFF, W/20 kHz LPF, LOAD=100K ohm)
Low
Mid
High
10 +/-2 dB, below -20 dB at 70 Hz
10 +/-2 dB, below -21 dB at 1 kHz
10 +/-2 dB, below -18 dB at 13 kHz
13. CHANNEL BALANCE:
Within 3 dB FROM 0 TO -40 dB
14. FADER KILL: (EQ FLAT, UNITY GAIN, FX OFF, W/20 kHz LPF, A-WEIGHTED, MASTER = +14 dBV OUTPUT)
Channel Fader:
Crossfader:
More than 75 dB at 1 kHz
More than 75 dB at 1 kHz
15. ACCESSORIES:
User Manual
1 pc
1 pc
AC Power Supply
11
Copyright © 2010 Stanton Magnetcs, Inc.
M.203 and STR8.150 are trademarks or registered trademarks of the Stanton Group.
All other trademarks are property of their respectve owners, who are in no way affiliated with Stanton DJ or
SC System products. All informaton included in the User Manual is subject to change without notce.
+1 (954) 949-9600
LITS00052 10/05/2009
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