DIGITAL PIANO
Owner’s Manual
USING THE UNIT SAFELY ...................................................................... 2
1. Connecting the Power Cord .................................................................................8
2. Securing the Cord ...................................................................................................8
3. Connecting the Pedal .............................................................................................9
4. Turning the Power On and Off ............................................................................9
5. Adjusting the Volume .........................................................................................10
6. Setting the Music Stand .......................................................................................10
Playing/Stopping the Demo Songs........................................................................11
Selecting a Song for Playback..................................................................................12
About the Demo Songs.............................................................................................13
Sounding the Metronome ........................................................................................17
Recording ...................................................................................................................19
Listening to the Recorded Performance.................................................................21
Deleting Recorded Songs.........................................................................................21
Disabling Buttons—Panel Lock .............................................................................22
About the Jacks .........................................................................................................24
Making the Connections .........................................................................................24
About the MIDI Connectors ...................................................................................25
Making the Connections .........................................................................................25
Cautions when Connecting an External MIDI Device
(Local On/Off and Omni On/Off) ........................................................................26
Set the MIDI Channel ..............................................................................................27
MIDI Implementation Chart................................................................ 32
Index ............................................................................................... 34
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 2)
and “IMPORTANT NOTES” (p. 4). These sections provide important information concerning
the proper operation of the unit. Additionally, in order to feel assured that you have gained a
good grasp of every feature provided by your new unit, Owner’s manual should be read in its
entirety. The manual should be saved and kept on hand as a convenient reference.
Copyright © 1999 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of ROLAND CORPORATION.
108d: Selection
•
013 In households with small children, an adult
•
If you need to move the instrument, take note of
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
the precautions listed below. At least two persons
are required to safely lift and move the unit. It
should be handled carefully, all the while keeping
it level. Make sure to have a firm grip, to protect
yourself from injury and the instrument from
damage.
..........................................................................................................
014 Protect the unit from strong impact.
•
(Do not drop it!)
1
• Check to make sure the knob bolt securing the
unit to the stand have not become loose. Fasten
them again securely whenever you notice any
loosening.
..........................................................................................................
•
015 Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using
• Disconnect the power cord.
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
• Disconnect all cords coming from external
devices.
• Remove the music stand.
..........................................................................................................
109b
•
Before cleaning the unit, turn off the power and
..........................................................................................................
•
016 Before using the unit in a foreign country, consult
..........................................................................................................
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
110b
•
Whenever you suspect the possibility of lightning
in your area, disconnect the AC adaptor from the
outlet.
..........................................................................................................
101b
•
The unit and the AC adaptor should be located so
their location or position does not interfere with
their proper ventilation.
..........................................................................................................
•
102cAlways grasp only the plug on the AC adaptor
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
103b
•
At regular intervals, you should unplug the AC
adaptor and clean it by using a dry cloth to wipe
all dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug and
the power outlet can result in poor insulation and
lead to fire.
..........................................................................................................
•
104 Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
..........................................................................................................
•
106 Never climb on top of, nor place heavy objects on
the unit.
..........................................................................................................
•
107cNever handle the AC adaptor or its plugs with
wet hands when plugging into, or unplugging
from, an outlet or this unit.
..........................................................................................................
3
IMPORTANT NOTES
291a
In addition to the items listed under “USING THE UNIT SAFELY” on page 2 and 3, please read and observe the following:
Power Supply
Maintenance
301
401a
• Do not use this unit on the same power circuit with any
• For everyday cleaning wipe the unit with a soft, dry cloth
device that will generate line noise (such as an electric
motor or variable lighting system).
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with a soft, dry cloth.
302
• The AC adaptor will begin to generate heat after long
hours of consecutive use. This is normal, and is not a
cause for concern.
402
• Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or
deformation.
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
Additional Precautions
553
• Use a reasonable amount of care when using the unit’s
Placement
• Using the unit near power amplifiers (or other equipment
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
351
containing large power transformers) may induce hum.
To alleviate the problem, change the orientation of this
unit; or move it farther away from the source of inter-
ference.
5•56When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.
3•52Ta his device may interfere with radio and television
reception. Do not use this device in the vicinity of such
receivers.
558a
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).
352b
• Noise may be produced if wireless communications
devices, such as cell phones, are operated in the vicinity of
this unit. Such noise could occur when receiving or initi-
ating a call, or while conversing. Should you experience
such problems, you should relocate such wireless devices
so they are at a greater distance from this unit, or switch
them off.
559a
• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
560
• Do not apply undue force to the music stand while it is in
use.
354a
• Do not expose the unit to direct sunlight, place it near
562
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.
• Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
355b
• Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this
unit. The use of such cables can cause the sound level
to be extremely low, or impossible to hear. For infor-
mation on cable specifications, contact the manufac-
turer of the cable.
• When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit. Damage
or malfunction may result if you attempt to use the unit in
this condition. Therefore, before using the unit, you must
allow it to stand for several hours, until the condensation
has completely evaporated.
358
• Do not allow objects to remain on top of the keyboard.
This can be the cause of malfunction, such as keys ceasing
to produce sound.
220
*
All product names mentioned in this document are trademarks
or registered trademarks of their respective owners.
4
Main Features of the ep-90/70
Authentic piano performances
High-quality concert grand piano sounds, and a keyboard that’s a true pleasure to play
assure an even more realistic piano-playing experience.
• Captures the brilliant resonance
The sound of a grand piano has a more brilliant timbre than that of an upright piano.
This is because the sound of a grand piano contains a greater amount of high-frequency
components. The piano sounds of the ep-90/70 reproduce this characteristic of the grand
piano.
• Reproduces the extended high-frequency response
One of the features of the acoustic piano is that for the approximately one and a half
octaves at the top of the range, there is no damper to restrict the vibration of the strings.
This allows the vibration of the string to continue whether or not the damper pedal is
pressed. Since this also allows these strings to vibrate sympathetically with other strings,
they can sometimes be heard sounding independently from the low and middle-register
strings.
The ep-90/70 faithfully simulates these characteristics of the acoustic piano.
Eight Tones for use in a wide variety of musical genres
The ep-90/70 features not only piano tones, but eight different internal tones that you
can use in a variety of musical genres.
Three Metronome sounds
The ep-90/70 provides a metronome that lets you use three different sounds. You can
easily adjust the tempo and time.
Record your own performances
The ep-90/70 makes it easy to record your own performances.
5
Button Descriptions
Button, switch and knob names are enclosed in square brackets ( [ ] ).
NOTE
fig.2-01-L
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
Power
Volume
Reverb Chorus
Organ
Min
Max
2
3 4
5
1
1 Power Indicator
2 [Volume] Knob
3 [Reverb] Button
4 [Chorus] Button
5 Tone Buttons
The following eight buttons are collectively referred to as the Tone buttons.
[Piano 1] Button
[Piano 2] Button
[E. Piano] Button
[Vibraphone] Button
[Harpsichord] Button
[Organ] Button
[Strings] Button
[Choir] Button
By holding down three of these buttons while you then press a specific key, you can
6
Button Descriptions
fig.2-01-R
Metronome
Beat
Tempo
108
3
120
2
4
96
Strings
Choir
Demo
Sound On/Off
Play
Rec
0
66
144
80
60
168
192
40
208
8 9
12
7
6
10 11
6 [Tempo] Knob
7 [Beat] Knob
8 [Sound] Button
9 [On/Off] Button
10 [Play] Button
11 [Rec] Button
12 [Demo] Button
By holding down this button while you then press a specific key, you can make various
7
Getting Ready
2. Securing the Cord
NOTE
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
1. As shown in the diagram, loop the AC cord
around the cord stay to fasten it in place.
2. Connect the AC cord to an AC outlet.
1. Connecting the Power Cord
fig.3-02
NOTE
1
DC In 9V
Power
1200 mA
If the supplied AC adaptor is the ACB or ACK type, step 1 of the
procedure is not necessary.
On
Off
1. Connect the supplied AC adaptor and AC
cord.
2. Connect the AC adaptor to the DC In jack
on the rear panel of the ep-90/70.
2
fig.3-01
DC In 9V
1200 mA
Power
NOTE
On
Off
To prevent the inadvertent disruption of power to your unit
(should the plug be pulled out accidentally), and to avoid applying
undue stress to the DC In jack, anchor the power cord using the
cord hook, as shown in the illustration.
2
1
NOTE
Even if the cord is fastened, strong tension applied to the cord may
cause it to be damaged or broken. Be careful not to pull the cord
accidentally, or to apply strong pressure to it.
8
Getting Ready
3. Connecting the Pedal
4. Turning the Power On and
Off
Connect the supplied pedal to one of the
pedal jacks.
NOTE
fig.3-03
Once the connections have been completed, turn on power to your
various devices in the order specified. By turning on devices in the
wrong order, you risk causing malfunction and/or damage to
speakers and other devices.
MIDI
Pedal
Input
Output
Mono
(
)
(
)
Out
In
Damper
Soft
R
L
Mono
R
L
1. Turn the volume all the way down.
fig.3-04
Volume
or
Min
Max
If the pedal is connected to the Damper
pedal jack, it can be used as a damper
pedal.
2. Press the [Power] switch, to turn on the
power.
The power switch is located at the right side of the back
panel.
fig.3-05
If the pedal is connected to the Soft pedal
jack, it can be used as a soft pedal.
DC In 9V
Damper Pedal
Power
1200 mA
Use this pedal when you want the sound to linger on.
On
Off
While the damper pedal is depressed, the sound from
the keyboard continues to linger for an extended period,
even when you remove your fingers from the keys.
This is the same function as the right-most pedal on an
acoustic piano.
fig.3-06.e
Lower position
Soft Pedal
ON
This pedal softens the sound.
Playing with the soft pedal depressed produces a sound
that is not as strong as when otherwise played with the
equivalent strength.
The power indicator lights in red.
After a few seconds, the keyboard will produce sound
when played.
This is the same function as the left-most pedal on an
acoustic piano.
fig.3-07.e
Power
Volume
Reverb Chorus
Piano 1
MEMO
Min
Max
Lit
By connecting an additional pedal, you can use both a damper
pedal and a soft pedal simultaneously.
NOTE
To purchase an additional pedal (DP-2/DP-6), please contact the
dealer where you purchased the ep-90/70.
This unit is equipped with a protection circuit. A brief interval (a
few seconds) after power up is required before the unit will operate
normally.
9
Getting Ready
■ Turning Off the Power
7. Connecting Headphones
(Sold Separately)
1. Turn the volume all the way down.
fig.3-04
The ep-90/70 features two headphone jacks. This allows two
people to listen through headphones simultaneously, making
it very useful for lessons and when performing piano pieces
for four hands. Additionally, this allows you to play without
having to worry about bothering others around you, even at
Volume
Min
Max
night.
fig.2-03
2. Press the [Power] switch to turn off the
power.
The power switch is located at the right side of the back
1
PHONES
panel.
2
The Power indicator goes out.
fig.3-08.e
Upper position
OFF
5. Adjusting the Volume
1. Turn the volume all the way down.
Use the [Volume] knob to adjust the
2. Connect the headphones to either of the
volume.
fig.3-09.e
headphone jacks.
Volume
3. Adjust the volume.
Sound will no longer be heard from the ep-90/70’s
speakers. Sound will be heard only through the
headphones.
Min
Max
NOTE
6. Setting the Music Stand
Please use stereo headphones.
Assemble the music stand as shown in the
diagram.
fig.2-02
NOTE
Before moving the ep-90/70, be sure to remove the music stand as a
safety precaution.
10
Listening to the Demo Songs
The ep-90/70 features eight internal piano songs.
Playing/Stopping the Demo Songs
fig.4-01
Metronome
Tempo
Beat
3
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
Power
Volume
108
120
144
2
4
96
Reverb Chorus
Organ Strings
Choir
Demo
Sound On/Off
Play
Rec
0
6
80
60
168
192
Min
Max
40
208
2 1, 3
1.
Press the [Demo] button, and confirm that the indicator has lit.
The [Play] button’s indicator starts blinking.
fig.4-02.e
Demo
Demo
Lit
Press
2.
3.
Press the [Play] button, and the indicator will change from blinking
to lit.
fig.4-03.e
Play
Play
Press
Lit
The demo songs will play back in succession, starting with the first song. When the last
song has been played, playback will return to the first song and begin again.
To stop the demo song playback, press the [Demo] button to make
the indicator go out.
The demo song playback will stop.
fig.4-04.e
Demo
Demo
Dark
Press
You can also stop demo song playback by pressing the [Play] button or [Rec] button. In this
case, the [Demo] button indicator will not be extinguished. When you press the [Play] button
next the demo song will resume playing from the beginning of the song where playback was
halted.
MEMO
11
Listening to the Demo Songs
It is not possible to change the tempo of a demo song.
NOTE
NOTE
If you press the [Demo] button while the metronome is sounding (p. 17), the metronome will
Selecting a Song for Playback
Here’s how you can select and play a desired demo song.
While holding down the [Demo] button, and press the Tone button
that corresponds to the demo song you wish to hear.
The indicators of the [Demo] button and the [Play] button will light.
fig.4-05.e(Press the button corresponding to the song number)
Vibra-
Harpsi-
chord
Organ Strings
Choir
Piano 1 Piano 2 E.Piano phone
Demo
3
4
8
5
6
7
1
2
While holding down...
Press the button corresponding to the song number
The demo songs will play back consecutively, starting with the song you selected. When
the last song has been played, playback will return to the first song and resume.
Subsequent demo songs are automatically played one after another until you stop them
playing.
12
Listening to the Demo Songs
About the Demo Songs
No. Title
Composer
Copyright
1 Little White Room
Scott Wilkie
©1998 Scott Wilkie Media
(ASCAP)
2 Valse No. 1 in E-flat Major, Op. 18 “Grand Valse Brillante”
Frederic Chopin
©1998 Roland Corporation
3 “From Foreign Lands And People” from “Scenes From Childhood” Op. 15
Robert Schumann
Frederic Chopin
J. Brahms
©1998 Roland Corporation
4 Nocturne No. 2 in E-flat Major, Op. 9-2
5 Rhapsody No. 2, Op. 79
©1998 Roland Corporation
©1998 Roland Corporation
©1998 Roland Corporation
6 Slavonic Dance No. 10, Op. 72-2
A. Dvoˇrák
7 Etude Op. 25-1 in A-flat Major “The Shepherd Boy”
Frederic Chopin
John Maul
©1998 Roland Corporation
©1998 Roland Corporation
8 Fly Free
All rights reserved. Unauthorized use of this material for purposes other than private, personal
enjoyment is a violation of applicable laws.
NOTE
NOTE
No data for the music that is played will be output from MIDI Out.
■ Profiles of Composers
Scott Wilkie
Scott Wilkie is a contemporary jazz recording artist, based in southern California. He
tours frequently with his own band, and also appears as an artist for Roland in the U.S.,
Japan, Europe and South America. His debut solo album, Boundless, was released
worldwide in 1999 on Narada/Virgin Records. You can find him on-line at
John Maul
John Maul is a musician, composer and arranger having graduated from the Royal
Academy of Music in London. John’s work encompasses studio recordings and live
performances, including work with top UK Jazz artists.
His writing credits include commercial music for BBC radio and television, as well as
scoring jazz and classical works. Having been a product specialist for Roland U.K., John
is now actively involved in music software composing/programming for both Roland
Japan and various music publishers. Quite recently his “Musical Picture Book,” a
volume of original piano music encompassing all standards of musical ability, which
included the piano and orchestral accompaniment data in SMF format, was published
and printed.
13
Playing the Keyboard
Selecting the Instrumental Sound You Wish to
Play
The ep-90/70 allows you to play using eight different sounds including piano.
The ep-90/70’s sounds are called “Tones.”
Use the eight Tone buttons to select tones.
When the ep-90/70 is turned on, the tone is reset to “Piano 1”.
fig.5-01.e
Metronome
Tempo
108
Beat
3
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
Power
Volume
120
2
4
96
Reverb Chorus
Organ Strings
Choir
Demo
Sound On/Off
Play
Rec
0
6
144
80
60
168
192
Min
Max
40
208
Tone Buttons
Press any Tone button.
When you play the keyboard, the selected tone is played.
Tone Name
Description
Piano 1
Piano 2
E. (Electric) Piano
Vibraphone
Harpsichord
Organ
bright piano sound
mellow piano sound
electric piano sound
vibraphone sound
harpsichord sound
pipe organ sound
Strings
Choir
the sound of a string instrument ensemble
the sound of a vocal ensemble
Layering Two Instrument Sounds—Dual Play
Playing with two different tones on the keyboard simultaneously is called “Dual Play.”
fig.5-02.e
Vibra-
Harpsi-
chord
Organ Strings
Choir
Piano 1 Piano 2 E.Piano phone
While holding down
Press
1.
2.
While holding down the [Piano 1] button, press the [Strings] button.
When you play the keyboard, both the Piano 1 and Strings tones are layered.
In this way, you can hold down one Tone button and press another Tone button to layer
two sounds for playing together.
To cancel the Dual Play, press any Tone button.
When you play the keyboard, only the sound of the button you pressed will be heard.
14
Playing the Keyboard
Adding Reverberation to the Sound—Reverb
Effect
The ep-90/70 allows you to add reverberation to what you play on the keyboard.
With the Reverb Effect, you can get a pleasant reverberation, making it sound as if you
were performing in a concert hall or similar space.
The settings of the Reverb Effect cannot be memorized independently for each sound.
When the power is turned on, the Reverb Effect will be cancelled.
fig.5-03
Metronome
Tempo
108
Beat
3
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
Power
Volume
120
2
4
96
Reverb Chorus
Organ Strings
Choir
Demo
Sound On/Off
Play
Rec
0
6
144
80
60
168
192
Min
Max
40
208
1.
2.
Press the [Reverb] button to turn on the indicator.
The Reverb Effect will be applied to the entire sound.
fig.5-05.e
Reverb
Reverb
Lit
Press
To cancel the Reverb Effect, press the [Reverb] button once again
to make the indicator go dark.
fig.5-04.e
Reverb
Reverb
Dark
Press
15
Playing the Keyboard
Adding Breadth to the Sound—Chorus Effect
The ep-90/70 allows you to add chorus to what you play on the keyboard.
By adding the Chorus Effect, you can give the sound greater dimension, with more
fatness and breadth. The settings of the Chorus Effect are memorized independently for
each sound.
When the power is turned on, the Chorus Effect will be applied to the “E.Piano” and
“Vibraphone” sounds. The Chorus Effect will be turned off for the other sounds.
fig.5-06
Metronome
Tempo
108
Beat
3
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
Power
Volume
120
2
4
96
Reverb Chorus
Organ Strings
Choir
Demo
Sound On/Off
Play
Rec
0
6
144
80
60
168
192
Min
Max
40
208
1.
Press the [Chorus] button to turn on the indicator.
The Chorus Effect will be applied to the currently selected sound.
fig.5-07.e
Chorus
Chorus
Lit
Press
When you select a sound for which the Chorus Effect has not been turned on, the
[Chorus] button indicator will go dark.
2.
To cancel the Chorus Effect, press the [Chorus] button once again
to make the indicator go dark.
fig.5-08.e
Chorus
Chorus
Press
Dark
When playing in Dual Play mode (p. 14), turning the [Chorus] button indicator on/off will
return to the Chorus Effect setting that was stored for each sound.
When playing in Dual Play mode, the on/off status of the [Chorus] button is not stored in
memory.
MEMO
MEMO
Switching [Chorus] on/off will affect only the music you play on the ep-90/70’s keyboard. If you
press the [Chorus] button during playback of a demo song or a recorded performance, it has no
effect.
16
Playing the Keyboard
Sounding the Metronome
You can start or stop the metronome with a single button.
In addition to adjusting the tempo and time, you can also change the sound and volume
of the metronome.
fig.5-09
Metronome
Tempo
108
Beat
3
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
Power
Volume
120
2
4
96
Reverb Chorus
Organ Strings
Choir
Demo
Sound On/Off
Play
Rec
0
6
144
80
60
168
192
Min
Max
40
208
1.
Press the [On/Off] button, and the metronome will begin sounding.
fig.5-10.e
On/Off
On/Off
Blinks alternately
in red and green
Press
The [On/Off] button indicator will blink in red and green in time with the currently
selected time. It will blink in red on the downbeats, and in green on the upbeats. If the
[Beat] knob is in the “0” position, the indicator will blink in green.
2.
When you press the [On/Off] button once again to make the
indicator go dark, the metronome will stop sounding.
fig.5-11.e
On/Off
On/Off
Dark
Press
■ Adjusting the Metronome Volume
The metronome volume can be adjusted in 8 levels.
The metronome volume is set to “4” when the keyboard is turned on.
While holding down the [On/Off] button, also press any Tone
button.
fig.5-12.e
Decrease the volume
Increase the volume
6
1
2
3
4
5
7
8
Vibra-
Harpsi-
chord
Organ Strings
Choir
Piano 1 Piano 2 E.Piano phone
On/Off
While holding down...
Press
17
Playing the Keyboard
■ Changing the Metronome Tempo
The metronome tempo is adjusted by the [Tempo] knob.
You can select a tempo in the range of 40–208.
fig.5-13.e (Tempo becomes slower/Tempo becomes faster)
Metronome
Tempo
Beat
108
3
120
144
2
4
96
Sound On/Off
0
6
80
60
168
192
40
208
■ Changing the Time of the Metronome
Use the [Beat] knob to select the time of the metronome.
You can select from the following five types: 0 (only upbeat sounds), 2 (2-beat), 3 (3-
beat), 4 (4-beat), 6 (6-beat).
fig.5-14
Metronome
Tempo
Beat
108
3
120
144
2
4
96
Sound On/Off
0
6
80
60
168
192
40
208
■ Changing the Metronome Sound
You can select from three types of metronome sound: “conventional metronome sound,”
“electronic metronome sound,” and “dog and cat sounds.”
“Conventional metronome sound” is the power-on default for the metronome sound.
1.
2.
Press the [On/Off] button to sound the Metronome.
Press the [Sound] button.
Each time you press the button, the metronome sound will change to the next choice
available, either “conventional metronome sound,” “electronic metronome sound,” or
“dog and cat sounds.”
fig.5-15
Metronome
Tempo
Beat
108
3
120
144
2
4
96
Sound On/Off
0
6
80
60
168
192
40
208
18
Try Recording Your Performance
You can record what you play on your piano.
When you record, pay attention to the setting of the [Tempo] knob. Be sure to set it to the tempo
at which you wish to record.
MEMO
Only one song can be recorded on the ep-90/70. If a previously recorded performance exists, it
will be erased the moment you begin recording another performance.
NOTE
The performance data that you recorded will disappear when the power of the ep-90/70 is turned
off.
NOTE
After approximately 5,000 notes have been recorded, the [Play] button’s and [Rec] button’s
indicators will go out, and recording will end automatically.
NOTE
Recording
fig.6-01
Metronome
Tempo
108
Beat
3
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
Power
Volume
120
2
4
96
Reverb Chorus
Organ Strings
Choir
Demo
Sound On/Off
Play
Rec
0
6
144
80
60
168
192
Min
Max
40
208
2
5
1
3 4
7
1.
2.
Use the Tone buttons to select the sound with which you wish to
You can changes the tones during the recording of the song.
Press the [On/Off] button to turn on the indicator.
The metronome will sound.
fig.5-10.e
On/Off
On/Off
Blinks alternately
in red and green
Press
While listening to the metronome, select the tempo and time of the song that you wish
to record.
3.
Use the [Tempo] knob to select the basic tempo for the song.
Moving the [Tempo] knob after recording has begun will not change the tempo.
fig.6-03
Tempo
108
120
144
96
80
60
168
192
40
208
19
Try Recording Your Performance
4.
Use the [Beat] knob to select the time for the song.
The time of the song cannot be changed during or after recording.
fig.6-04
Beat
3
2
4
0
6
5.
Press the [Rec] button to turn on the indicator.
The keyboard is put in record standby mode.
The [Play] button’s indicator flashes.
fig.6-05.e
Rec
Rec
Press
Lit
If you want to cancel the recording, then press the [Rec] button once more to make the
indicator dark.
If you wish to stop the metronome, press the [On/Off] button to make the indicator go
dark.
In the beginning it is probably a good idea to listen to the metronome as you record.
The sound of the metronome is not recorded.
6.
7.
Recording will begin when you play a note on the keyboard.
The [Play] button indicator will change from blinking to lit.
Listen to the metronome, and play along with the tempo.
fig.6-06
Instead of playing the keyboard, you can also begin recording by pressing the [Play]
button to make the indicator light. In this case, you will hear a two-measure count before
recording begins.
When you are finished recording, press the [Play] button to make
the indicator go dark.
fig.6-07.e
Play
Play
Press
Dark
20
Try Recording Your Performance
You can use the following methods to save the recorded performance on the external devices.
- Connect an audio device to the ep-90/70, and record your performance on a cassette tape or
MEMO
Listening to the Recorded Performance
Listen to the performance you recorded.
1.
Press the [Play] button to make the indicator light.
The performance you recorded will play back. When the recorded performance ends, the
[Play] button indicator will go dark, and playback will stop.
fig.6-08.e
Play
Play
Press
Lit
2.
If you wish to stop playback during the performance, press the
[Play] button to make the indicator go dark.
fig.6-07.e
Play
Play
Press
Dark
If the metronome is sounding while the performance plays back, the playback will begin after a
two-measure count.
MEMO
Deleting Recorded Songs
You can delete recorded songs in their entirety.
1.
While pressing the [Play] button, also press the [Rec] button.
This deletes the recorded song.
fig.6-10.e
Play
Rec
Press
While holding down...
21
Convenient Functions
Disabling Buttons—Panel
Lock
Transposing without
Changing Your Fingering
—Key Transpose
By using the Panel Lock function, you can disable the buttons
with the exception of certain operations. This is a convenient
way to prevent buttons from being pressed inadvertently,
changing the settings.
You can play in a different key—without changing the keys
you are playing.
When playing in a difficult key with many
(sharps) or
(flats), you can transpose the keyboard to play in an easier
When the panel is locked, the following operations can be
performed.
key.
Key transpositions remain in effect until the keyboard’s
power is turned off.
-
-
-
Play using the piano sound
Key Transpose
■ <Ex.>Using the C Major Keys to
Play a Song in E Major
1. Before switching the power on, turn the
1. While holding down the [Demo] button,
press the tonic (root) of the key to which
you want to transpose.
volume all the way down.
fig.7-01
Volume
Use the C2–B2 notes to select the key.
→
For the notes that correspond to each setting, refer to
Min
Max
2. While holding down the [Piano 1] button,
Here, press the E2 key.
press the [Power] switch.
fig.7-03.e
fig.7-02.e
C2
B2
Power
Piano 1
Demo
E2
While holding down
ON
While holding down
Press
3. Adjust the volume.
Playing the keyboard now produces a Piano 1 sound.
2. To return to the previous condition, while
It will not be possible to switch to another sound.
holding down the [Demo] button, press the
C2 key.
4. Switching the power off and back on again
releases the panel lock and returns the ep-
90/70 to its usual state.
fig.7-04.e
Demo
MEMO
If you turn on the power while holding down the Metronome [On/
Off] button, it will also be possible to sound the metronome. You
will also be able to adjust the metronome tempo, time, volume, and
sound.
C2
While holding down
Press
NOTE
The transposition setting is effective only on sounds performed on
the ep-90/70’s keyboard. This setting is not effective on tones from
external MIDI messages played on the ep-90/70.
22
Convenient Functions
■ Setting the Reference Pitch to
Adjusting the Pitch of the
Sound—Master Tuning
440.0 Hz
While holding down the [Demo] button,
press the “C#4” key on the keyboard.
In situations such as when playing in ensemble with other
instruments, you can adjust the ep-90/70’s reference pitch to
that of another instrument.
→
For the notes that correspond to each setting, refer to
Middle A is generally used as the standard reference pitch
for tuning instruments.
fig.7-05.e
C#4
When playing in ensemble with other instruments, set each
instrument to the same reference pitch to ensure that you
will be in tune with each other. This tuning of all the
instruments to a reference pitch is called “Master Tuning.”
“440.0 Hz” is the power-on default for the reference pitch.
Demo
While holding down
Press
MEMO
The reference pitch will be set to 440.0 Hz. This is the
most commonly used setting. The A4 (Middle A) key
will sound at 440.0 Hz.
By holding down the [Demo] and [Sound] buttons, and pressing
the corresponding note, you can hear a reference tone (Middle A) as
you adjust the pitch.
■ Lowering/ raising the Reference
■ Setting the Reference Pitch to
Pitch
442.0 Hz
While holding down the [Demo] button,
press the “C4” note to lower the reference
pitch, or the “D4” note to raise it.
While holding down the [Demo] button,
press the “D#4” key on the keyboard.
→
For the notes that correspond to each setting, refer to
→
For the notes that correspond to each setting, refer to
fig.7-05.e
fig.7-05.e
D#4
Lower
Raise
the pitch
the pitch
Demo
Demo
While holding down
Press
C4
D4
While holding down
The standard pitch will be set to 442.0 Hz. This setting is
often used for concert pianos. The A4 (Middle A) key
will sound at 442.0 Hz.
Press
Each time you press the “C4” key, the pitch will fall by
0.1 Hz. If you continue holding the key, the pitch will
continue falling.
Each time you press the “D4” key, the pitch will rise by
0.1 Hz. If you continue holding the key, the pitch will
continue rising.
23
Connecting to Audio Equipment
Read this chapter if you wish to connect the ep-90/70 to an
audio device.
to hear. For information on cable specifications, contact the
manufacturer of the cable.
By connecting the ep-90/70 with an audio device, you can
listen to the sound of the ep-90/70 through the speakers of
the audio device, or record your performance onto a cassette
tape or other recording media.
NOTE
Once the connections have been completed, turn on power to your
various devices in the order specified. By turning on devices in the
wrong order, you risk causing malfunction and/or damage to
speakers and other devices.
About the Jacks
■ Listening to the ep-90/70 through the
speakers of an audio device, or
recording a performance onto a
fig.8-01
MIDI
Pedal
Input
Output
Mono
(
)
(
)
Out
In
Damper
Soft
R
L
Mono
R
L
cassette tape or other media
fig.8-02
Input R/L
(Line In, Aux In)
Output Jacks
Use audio cables (sold separately) to connect the ep-90/70 to
an audio device so that the sound of the ep-90/70 can be hear
from the speakers of the audio device, or so that your
performance can be recorded on a cassette tape or other
recording media.
ep-90/70
MIDI
Pedal
Input
Output
Mono
(
)
(
)
Out
In
Damper
Soft
R
L
Mono
R
L
1. Turn on the power to the ep-90/70.
Input Jacks
2. Turn on the power to the connected
You can use audio cables (sold separately) to connect another
equipment.
audio producing device to the ep-90/70, and hear its sound
through the speakers of the ep-90/70.
3. Adjust the volume.
Recording procedure
Making the Connections
1. Connect the ep-90/70 and the audio device.
NOTE
2. Start recording on the connected audio
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
device.
3. Begin playing on the ep-90/70.
4. When you finish playing, stop recording.
1. Turn the volume down completely on all
■ Listening to the sound of an audio
equipment.
device through the speakers of the ep-
2. Turn off the ep-90/70 and any other devices
90/70
to be connected.
fig.8-03
Output R/L
(Line Out)
3. Use audio cables (sold separately) to
connect the other device to the ep-90/70.
NOTE
ep-90/70
If the device you are connecting is monaural, connect it to the L
(Mono) jack. In this case, do not connect the R jack of the ep-90/70.
MIDI
Pedal
Input
Output
Mono
(
)
(
)
Out
In
Damper
Soft
R
L
Mono
R
L
NOTE
1. Turn on the power to the connected
Use a cable from Roland to make the connection. If using some
other make of connection cable, please note the following
precautions.
equipment.
2. Turn on the power to the ep-90/70.
Some connection cables contain resistors. Do not use cables that
incorporate resistors for connecting to this unit. The use of such
cables can cause the sound level to be extremely low, or impossible
3. Adjust the volume.
24
Connecting to MIDI Devices
Read this chapter if you wish to connect the ep-90/70 to an
Making the Connections
external MIDI devices.
If the ep-90/70 is connected to a MIDI sequencer, such as one
from the MT series, a performance recorded on the ep-90/70
can be transmitted to the MIDI sequencer. It is also possible
to record the performance directly on the MIDI sequencer.
The recorded performance can be saved on the MIDI
sequencer.
NOTE
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
1. Turn the volume down completely on all
equipment.
When the ep-90/70 is connected to an MT series sequencer,
the rich variety of sounds built into the MT series sequencer
2. Turn off the ep-90/70 and any other devices
can be played from the keyboard of the ep-90/70.
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
to be connected.
3. Use MIDI cable (sold separately) to connect
the MIDI connector on the external MIDI
device to the MIDI connector on the ep-90/
70.
About MIDI
MIDI, short for “Musical Instrument Digital Interface,” was
developed as a standard for the exchange of performance
data between electronic instruments and computers.
The ep-90/70 is equipped with MIDI connectors to allow
such exchange of performance data with external equipment
and devices. Connecting the keyboard to other devices with
these jacks provides you with an even greater variety of
Take a look at the connection examples.
4. As necessary, use audio cables to connect
5. Turn on the power to all equipment.
ways to use your keyboard.
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
6. Adjust the volume.
7. You should also make the following
settings as needed.
About the MIDI Connectors
For details on making MIDI-related settings for the ep-
fig.9-01
MIDI
Pedal
Input
Output
(
)
(
)
Out
In
Damper
Soft
R
L
Mono
R
L
Mono
Connection Examples: Connecting to a
sequencer (The Roland MT Series)
fig.9-02.e
MT Series
MIDI In Connector
Out
MIDI
In
Use a MIDI cable (sold separately) to connect from here
to the MIDI Out connector on the external MIDI device.
MIDI messages sent from connected external equipment
will be received here. As a result, the ep-90/70 will
produce sound, change tones, or perform other
operations.
ep-90/70
MIDI
Pedal
Input
Output
(
)
(
)
Out
In
Damper
Soft
R
L
Mono
R
L
Mono
*
The MT-80s has no MIDI Out connector.
MIDI Out Connector
Connection Examples: Connecting to a
Use a MIDI cable (sold separately) to connect from here
MIDI sound module
to the MIDI In connector on the external MIDI device.
Performance data detailing what has been played on the
keyboard, and other data, such as that generated when a
pedal is depressed, is sent out from here to external
MIDI devices.
fig.9-03.e
Sound Module
MIDI
OUT
THRU
IN
ep-90/70
MIDI
Pedal
Input
Output
(
)
(
)
Out
In
Damper
Soft
R
L
Mono
R
L
Mono
25
Connecting to MIDI Devices
■ Switching Local On/Off
Local On is set when the power is switched on.
Cautions when Connecting
an External MIDI Device
While holding down the [Piano 1] button,
[Piano 2] button, and [Harpsichord] button,
the “B4” note to turn the setting On, or
press the “C5” note to turn the setting Off.
Here we will explain the “Local On/Off” and “Omni On/
Off” settings that you need to be aware of when connecting
the ep-90/70 to an external MIDI device.
■ Disconnecting the ep-90/70’s
keyboard and internal sound
generator—Local On/Off
→
For the notes that correspond to each setting, refer to
fig.9-07.e (While holding down three buttons)
When the ep-90/70 is connected to a MIDI sequencer or the
like, set it to Local Off.
Vibra-
Harpsi-
chord
Piano 1 Piano 2 E.Piano phone
As shown in the diagram, the data that is produced when
you play the keyboard will reach the sound generator by two
routes, (1) and (2), causing each note to be played in
duplicate. To prevent this, select the Local Off setting to cut
While holding down three buttons
route (1).
fig.9-04.e
Local Off
Local On
Local On
(1)
Sequencer
Memory
MIDI
OUT
MIDI
IN
Sound
Source
MIDI
OUT
B4 C5
MIDI
IN
Thru function On
(2)
Each note played
is sounded twice
Press
This sets it to Local On:
MEMO
fig.9-05.e
Sound is emitted
If the ep-90/70 is connected to a Roland MT series (except
MT-80s), it is not necessary to make the Local Off setting.
When the power is turned on, the MT series will transmit a
Local Off message. If you turn the power on in the order of
first the ep-90/70 and then the MT series, the ep-90/70 will
automatically be set to Local Off.
Sound Source
Local On
■ Receiving on all MIDI channels—Omni
This sets it to Local Off:
fig.9-06.e
On/Off
No sound produced
MIDI features sixteen MIDI channels, numbered 1–16.
The connected devices must be set to use the same MIDI
channels, otherwise no sound will be produced.
When set to Omni On, the ep-90/70 plays regardless of the
MIDI channel on which the MIDI messages are received.
It is useful to turn Omni On when, for example, the MIDI In
connector of the ep-90/70 is receiving music data in which
the right-hand and left-hand parts are recorded on different
MIDI channels.
Sound Source
Local Off
NOTE
Be aware that if you set your instrument to Local Off when no
external MIDI device is connected, there will be no sound.
26
Connecting to MIDI Devices
■ Switching Omni On/Off
Omni Off is automatically set when the power is switched
on.
Set the MIDI Channel
MIDI features sixteen MIDI channels, numbered 1–16.
The connected devices must be set to use the same MIDI
channels, otherwise no sound will be produced.
Hold down the [Piano 1] button, the [Piano
2] button, and the [Harpsichord] button,
and press the “F4” note to turn the setting
On, or the “G4” note to turn the setting Off.
-
In a setup where you wish to play the ep-90/70 and also
have another MIDI-equipped instrument or sound
module play the same notes, you should first set the
channel used for reception on your external device to the
same channel that you have the ep-90/70 set to use for
transmission.
→
For the notes that correspond to each setting, refer to
fig.9-08.e
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
-
-
If using another MIDI keyboard as a master instrument,
and you wish to have the ep-90/70 played by it, you
would need to set the channel used for reception on the
ep-90/70 to the same channel that the master keyboard
will be transmitting on.
While holding down three buttons
Omni Off
Omni On
When wishing to have a sequencer play the ep-90/70, you
need to set the channel used or reception on the ep-90/70
to the same channel that the recorded MIDI data is set to
use.
When the ep-90/70 is turned on, Channel “1” is selected.
F4
G4
While holding down the [Piano 1], [Piano 2],
and [Harpsichord] buttons, press the
Press
appropriate key on the keyboard.
The MIDI transmit channel and receive channel will
switch to the number that corresponds to the note you
pressed.
→
For the notes that correspond to each setting, refer to
fig.9-09.e
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
While holding down three buttons
C2
C3
C4D4
15 16
1
2
3
4
5
6
7
8
9 10 11 12 13
14
Press
27
Connecting to MIDI Devices
The tones and their corresponding Program Number appear
below:
Transmitting/Receiving
Sound Selection Data—
Program Change
Program Number
Tone
01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
Piano 1
Program Changes are messages that tell an instrument to
“switch to sound number x.”
Piano 2
E.Piano
When the other device receives this message, it will switch to
whichever of its sounds corresponds to the number
contained in the message.
Vibraphone
Harpsichord
Organ
When you press the ep-90/70’s Tone button to change tones,
a Program Change message with the corresponding Program
Number is sent via the MIDI Out connector. Furthermore, a
Program Change message received via the MIDI In connector
changes the tone to the one with the corresponding Program
Number.
Strings
Choir
Piano 1 + Piano 2
Piano 1 + E.Piano
Piano 1 + Vibraphone
Piano 1 + Harpsichord
Piano 1 + Organ
Piano 1 + Strings
Piano 1 + Choir
Piano 2 + E.Piano
Piano 2 + Vibraphone
Piano 2 + Harpsichord
Piano 2 + Organ
Piano 2 + Strings
Piano 2 + Choir
E.Piano + Vibraphone
E.Piano + Harpsichord
E.Piano + Organ
E.Piano + Strings
E.Piano + Choir
Vibraphone + Harpsichord
Vibraphone + Organ
Vibraphone + Strings
Vibraphone + Choir
Harpsichord + Organ
Harpsichord + Strings
Harpsichord + Choir
Organ + Strings
Organ + Choir
Each time the power is turned on, the instrument will always
be set to “On” (it will transmit/receive Program Change
messages).
If you set it to “Off,” the ep-90/70 will no longer send out
Program Change message when you change the tone being
used. Also, the ep-90/70 will then ignore any Program
Change messages when that are sent to it by an external unit,
and will not change the tone it is playing.
While holding down the [Piano 1] button,
[Piano 2] button, and [Harpsichord] button,
press the “E5” note to turn the setting On,
or the “F5” note to turn the setting Off.
→
For the notes that correspond to each setting, refer to
fig.9-11.e
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
While holding down three buttons
On Off
E5 F5
Strings + Choir
Press
28
Connecting to MIDI Devices
Turning Transmission and
Reception of Control
Changes On/Off
Transmitting Performance
Data from MIDI Out
If this setting is left “On,” performance data recorded on the
ep-90/70 can be transmitted from the MIDI Out connector.
Each time the power is turned on, this setting will always be
at “Off.”
Messages known as “Control Changes” are used to convey to
another device information about the instances where you
have pressed a pedal, or have turned On/Off the Chorus or
Reverb effects.
Hold down the [Piano 1] button, the [Piano
2] button, and the [Harpsichord] button,
and press the “D6” note to turn the setting
On, or the “E6” note to turn the setting Off.
Each time the power is turned on, the instrument will always
be set to “On” (it will transmit/receive all Control Change
messages).
If you set it to “Off” the ep-90/70 will no longer send or
receive any Control Change messages.
→
For the notes that correspond to each setting, refer to
While holding down the [Piano 1] button,
[Piano 2] button, and [Harpsichord] button,
press the “A5” note to turn the setting On,
or the “B5” note to turn the setting Off.
fig.9-13.e
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
→
For the notes that correspond to each setting, refer to
While holding down three buttons
On Off
fig.9-12.e
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
While holding down three buttons
On Off
D6 E6
Press
The performance data that you recorded will disappear
when the power of the ep-90/70 is turned off.
If you wish to save the performance, use the following
procedure.
A5 B5
1. Connect a MIDI sequencer such as the MT
Press
2. Record the performance on the ep-90/70.
MEMO
3. Set this setting to “On.”
If you want to know more about Control Change Number,
please refer to “MIDI Implementation Chart” (p. 32).
4. Start recording with the connected MIDI
device.
5. Start playback of the recorded song on the
ep-90/70.
6. When playback ends, stop recording.
7. Use a connected MIDI sequencer to save
the data on a floppy disk or other media.
29
Troubleshooting
If you are encountering problems with the unit, please read
the section below before assuming that there is a
malfunction.
Bass notes sound wrong/buzzing or vibration
occurs
❍
If you can’t hear the problem in the headphones:
When playing at high volumes, resonance may occur in
the piano itself or in objects near the piano. At times,
other objects in the room, such as fluorescent lights or
glass doors, could start vibrating. Such phenomenon
becomes more prevalent when sounding the lower
frequencies at high volume. To minimize such unwanted
resonance, please observe the following:
The piano cannot be switched on
❍
No sound is produced
❍
Is the [Volume] knob set to the minimum position?
-
Locate the instrument so it is 10–15 cm away from
❍
❍
walls.
-
-
Reduce the volume.
Increase the distance from the object that is
resonating.
Demo songs do not play
❍
❍
If you can hear the problem in the headphones:
The problem may be for a different reason. Please
contact your dealer.
Metronome does not sound
❍
In the upper range, the sound changes
abruptly beyond a certain key
Buttons do not function
❍
On an acoustic piano, notes in the upper one and a half
octaves of the keyboard continue to sound until they
decay naturally, regardless of the damper pedal. There is
a difference in the timbre as well. Roland pianos
faithfully simulate such characteristics of the acoustic
piano. On the ep-70/90, the range that is unaffected by
the damper pedal will change depending on the Key
Transpose setting.
❍
Keyboard sound does not change
❍
Two sounds are produced when the keyboard
is played
❍
<When the ep-90/70 is connected to
an external device>
The pitch of the keyboard sounds incorrect
❍
No sound is produced
❍
❍
Is the power to all equipment turned on?
❍
Are the connections between ep-90/70 and the MIDI
sequencer or the other external devices correct?
The pedals are not functioning, or function
intermittently
❍
❍
❍
Can’t Record
❍
Strange sounds (or two sounds) are produced
when the ep-90/70 is played
❍
Is the [Demo] button’s indicator lit?
Press the [Demo] button; the button’s indicator goes out
❍
With the sequencer’s “Thru” function on, the same notes
may be sounded twice. Set the ep-90/70 to Local off
❍
The metronome sound or count sound is not recorded.
The recorded performance has been deleted
The volume level of the instrument connected
to Input jacks is too low
❍
The performance data that you recorded will disappear
❍
Could you be using a connection cable that contains a
resistor?
❍
If you record again after recording, the first-recorded
Use a connection cable that does not contain a resistor.
30
Functions Assigned to the Keyboard
■ Function assignments to the keyboard
fig.11-00.e
ep-70
C3
C3
C2
C2
C5
C5
C6
C6
C4
C4
C7
C7
ep-90
C1
C8
2
1
4
5
6
7
8
3
1, 2:
3–8:
While holding down the [Demo] button, press the appropriate
key on the keyboard.
fig.11-01
Demo
While holding down the [Piano 1], [Piano 2], and [Harpsichord]
buttons, press the appropriate key on the keyboard.
fig.11-02
Vibra-
Piano 1 Piano 2 E.Piano phone
Harpsi-
chord
Organ Strings
Choir
31
DIGITAL PIANO
Model ep-70/90
Date : May. 1, 1999
Version : 1.00
MIDI Implementation Chart
Transmitted
Recognized
Remarks
Function...
Basic
Default
1
1
Channel
Changed
1–16
1–16
Default
Messages
Altered
Mode 3
x
Mode 3
OMNI ON/OFF
Mode
**************
15–113 *1
22–108 *2
**************
Note
*1 ep-90
*2 ep-70
0–127
Number :
15–113
True Voice
Note ON
Note OFF
O
x
O
x
Velocity
8n v=64
After
Touch
Key's
Ch's
x
x
x
x
Pitch Bend
x
x
6, 38 O *3
O *3
Data entry
7
O *3 *4
O *3 *4
O *3 *4
O *3 *4
O *3 *4
O *3
Volume
x
11
Expression
x
64
66
Hold 1
O *3
x
O *3
O *3
O *3
O *3
Control
Change
Sostenuto
67
91
Soft
Effect1 depth (Reverb)
Effect3 depth (Chorus)
RPN LSB, MSB
93
O *3
O *3
100, 101
Prog
Change
O (0–35) *3
**************
O (0–127) *3
0–35
: True #
System Exclusive
O
O
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Common
System
Real Time
: Clock
: Commands
x
x
x
x
x
x
x
x
O
x
x
: All sound off
O
:
Reset all controllers
Aux
Message
O
: Local Control
: All Notes OFF
: Active Sense
: Reset
O (123–127)
O
x
Notes
*3 O x is selectable.
*4 These message can affect only MIDI notes.
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
X : No
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
*
A separate publication titled “MIDI Implementation” is also available. It provides complete details concerning the way
MIDI has been implemented on this unit. If you should require this publication (such as when you intend to carry out
byte-level programming), please contact the nearest Roland Service Center or authorized Roland distributor.
32
Specifications
ep-90/70 : Roland Digital Piano
● Connectors
<Keyboard>
Output Jacks (L/Mono, R)
Input Jacks (L/Mono, R)
● Keyboard
ep-70: 76 weighted keys with touch-sensitivity
Headphones Jack (stereo) x 2
Pedal Connectors (Damper, Soft)
MIDI Connectors (In, Out)
● Power Supply
ep-90: 88 weighted keys with touch-sensitivity
● Keyboard Mode
Whole
Dual
DC 9 V (AC Adaptor)
< Sound Generator>
● Power Consumption
1,200 mA
● Maximum Polyphony
64 voices
● Dimensions (without music stand)
ep-90: 1302 (W) x 339 (D) x 108 (H) mm
51-5/16 (W) x 13-3/8 (D) x 4-1/4 (H) inches
When the stand (KS-90*) is used:
1308 (W) x370 (D) x 767 (H) mm
51-1/2 (W) x 14-5/8 (D) x 30-1/4 (H) inches
* KS-90: stand for ep-90
● Tones
8 (Piano 1, Piano 2, Electric Piano, Vibraphone,
Harpsichord, Organ, Strings, Choir)
● Master Tuning
415.3 Hz to 466.2 Hz (0.1 Hz Steps)
● Effects
Chorus (On/Off), Reverb (On/Off)
● Key Transposition
-6 to +5 (Semitone steps)
ep-70: 1138 (W) x 339 (D) x 108 (H) mm
44-13/16 (W) x 13-3/8 (D) x 4-1/4 (H) inches
When the stand (KS-70*) is used:
<Composer>
1144 (W) x370(D) x 767(H) mm
● Metronome
Beat: 0, 2, 3, 4, 6
Volume: 8 levels
Sounds: 3 types
● Track
45-1/16 (W) x 14-5/8 (D) x 30-1/4 (H) inches
* KS-70: stand for ep-70
● Weight (without music stand)
ep-90: 12.5 kg / 27 lbs 9 oz
Including Stand (KS-90*): 21.2 kg / 46 lbs 12 oz
* KS-90: stand for ep-90
1 track
● Songs
1 song
ep-70: 11 kg / 24 lbs 5 oz
● Note Storage
Approx. 5,000 notes
● Tempo
Including Stand (KS-70*): 19.4 kg / 42 lbs 13 oz
* KS-70: stand for ep-70
● Accessories
Quarter note = 40 to 208
● Resolution
96 ticks per quarter note
● Control
AC Adaptor (PSB, ACK, or ACB type)
AC Cord (Not supplied with ACK or ACB type
adaptors.)
Music Stand
Play/Stop, Rec, Tempo
Owner’s Manual
Pedal Switch
<Others>
● Rated Power Output
5 W x 2
*
In the interest of product improvement, the specifications and/or
appearance of this unit are subject to change without prior
notice.
● Speakers
12 cm x 2
33
Index
B
O
Beat....................................................................................18
Omni On/Off...................................................................26
Output R/L Connector...................................................24
C
P
Chorus...............................................................................16
Control Change ...............................................................29
Panel Lock ........................................................................22
Pedal....................................................................................9
Playing
D
Delete ................................................................................21
Damper Pedal ....................................................................9
Demo Song.................................................................11–13
Dual Play ..........................................................................14
Demo Song..................................................................11
Performance Song......................................................21
Program Change..............................................................28
R
H
Recording .........................................................................19
Reference Pitch ................................................................23
Reverb ...............................................................................15
Headphones.....................................................................10
I
Input R/L Connector......................................................24
S
Soft Pedal............................................................................9
Song Delete.......................................................................21
K
Key Transpose .................................................................22
T
L
Tempo ...............................................................................18
Time...................................................................................18
Tone
Local On/Off ...................................................................26
M
Keyboard.....................................................................14
Metronome .................................................................18
Master Tuning .................................................................23
Metronome.......................................................................17
Sound ..........................................................................18
Tempo .........................................................................18
Time.............................................................................18
Volume........................................................................17
MIDI Channel ..................................................................27
MIDI Connector...............................................................25
Music Stand......................................................................10
V
Volume
Keyboard.....................................................................10
Metronome .................................................................17
34
Information
When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as
shown below.
PANAMA
ITALY
ISRAEL
SINGAPORE
AFRICA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE PANAMA
TEL: 315-0101
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
Halilit P. Greenspoon &
Swee Lee Company
150 Sims Drive,
Sons Ltd.
SINGAPORE 387381
TEL: 6846-3676
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
CRISTOFORI MUSIC PTE
NORWAY
PARAGUAY
LTD
Roland Scandinavia Avd.
JORDAN
Distribuidora De
Blk 3014, Bedok Industrial Park E,
#02-2148, SINGAPORE 489980
TEL: 6243-9555
Kontor Norge
AMMAN Trading Agency
245 Prince Mohammad St.,
Amman 1118, JORDAN
TEL: (06) 464-1200
TEL: 20-2-417-1828
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (021) 492-124
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
TAIWAN
TEL: 2273 0074
KUWAIT
ROLAND TAIWAN
POLAND
URUGUAY
Easa Husain Al Yousifi Est.
Abdullah Salem Street,
Safat, KUWAIT
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung Shan
N.Road Sec.2, Taipei, TAIWAN,
R.O.C.
REUNION ISLAND
TEL: (0262) 218-429
Todo Musica S.A.
Francisco Acuna de Figueroa 1771
C.P.: 11.800
P. P. H. Brzostowicz
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
TEL: 243-6399
TEL: (02) 2561 3339
Montevideo, URUGUAY
TEL: (02) 924-2335
SOUTH AFRICA
LEBANON
That Other Music Shop
PORTUGAL
THAILAND
Chahine S.A.L.
(PTY) Ltd.
11 Melle St., Braamfontein,
Johannesbourg, SOUTH AFRICA
VENEZUELA
Tecnologias Musica e Audio,
Roland Portugal, S.A.
Cais Das Pedras, 8/9-1 Dto
4050-465 PORTO
Gerge Zeidan St., Chahine Bldg.,
Achrafieh, P.O.Box: 16-5857
Beirut, LEBANON
Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2,
Bangkok 10100, THAILAND
TEL: (02) 2248821
Musicland Digital C.A.
Av. Francisco de Miranda,
Centro Parque de Cristal, Nivel
C2 Local 20 Caracas
TEL: (01) 20-1441
P.O.Box 32918, Braamfontein 2017
Johannesbourg, SOUTH AFRICA
TEL: (011) 403 4105
PORTUGAL
TEL: (022) 608 00 60
QATAR
VENEZUELA
TEL: (212) 285-8586
VIETNAM
Al Emadi Co. (Badie Studio
& Stores)
Saigon Music
138 Tran Quang Khai St.,
District 1
Paul Bothner (PTY) Ltd.
17 Werdmuller Centre,
Main Road, Claremont 7708
SOUTH AFRICA
ROMANIA
P.O. Box 62,
Doha, QATAR
TEL: 4423-554
FBS LINES
Ho Chi Minh City
VIETNAM
TEL: (08) 844-4068
Piata Libertatii 1,
RO-4200 Gheorghehi
TEL: (095) 169-5043
EUROPE
P.O.BOX 23032, Claremont 7735,
SOUTH AFRICA
TEL: (021) 674 4030
AUSTRIA
SAUDI ARABIA
RUSSIA
Roland Austria GES.M.B.H.
Siemensstrasse 4, P.O. Box 74,
A-6063 RUM, AUSTRIA
aDawliah Universal
AUSTRALIA/
NEW ZEALAND
MuTek
Electronics APL
3-Bogatyrskaya Str. 1.k.l
107 564 Moscow, RUSSIA
TEL: (095) 169 5043
Corniche Road, Aldossary Bldg.,
1st Floor, Alkhobar,
SAUDI ARABIA
TEL: (0512) 26 44 260
ASIA
AUSTRALIA
BELGIUM/HOLLAND/
LUXEMBOURG
Roland Benelux N. V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
CHINA
SPAIN
Roland Corporation
Australia Pty., Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
Roland Shanghai Electronics
Roland Electronics
Co.,Ltd.
de España, S. A.
Calle Bolivia 239, 08020
Barcelona, SPAIN
TEL: (93) 308 1000
5F. No.1500 Pingliang Road
Shanghai, CHINA
TEL: (021) 5580-0800
SYRIA
Technical Light & Sound
TEL: (02) 9982 8266
Center
DENMARK
SWEDEN
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 Anhuaxili
Chaoyang District, Beijing,
CHINA
Khaled Ebn Al Walid St.
Bldg. No. 47, P.O.BOX 13520,
Damascus, SYRIA
TEL: (011) 223-5384
NEW ZEALAND
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
Roland Corporation Ltd.
32 Shaddock Street, Mount Eden,
Auckland, NEW ZEALAND
TEL: (09) 3098 715
TEL: 3916 6200
TURKEY
TEL: (010) 6426-5050
Barkat muzik aletleri ithalat
FRANCE
CENTRAL/LATIN
AMERICA
SWITZERLAND
ve ihracat Ltd Sti
Siraselviler Caddesi Siraselviler
Pasaji No:74/20
Taksim - Istanbul, TURKEY
TEL: (0212) 2499324
Roland France SA
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
HONG KONG
4, Rue Paul Henri SPAAK,
Parc de l'Esplanade, F 77 462 St.
Thibault, Lagny Cedex FRANCE
TEL: 01 600 73 500
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
SWITZERLAND
TEL: (061) 927-8383
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
U.A.E.
FINLAND
UKRAINE
Zak Electronics & Musical
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
TEL: 2415 0911
Roland Scandinavia As,
Filial Finland
TIC-TAC
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai, U.A.E.
TEL: (04) 3360715
Mira Str. 19/108
INDIA
Elannontie 5
P.O. Box 180
295400 Munkachevo, UKRAINE
TEL: (03131) 414-40
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra Mahalaxmi
Flats Compound Off. Dr. Edwin
Moses Road, Mumbai-400011,
INDIA
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
BRAZIL
Roland Brasil Ltda
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
GERMANY
UNITED KINGDOM
Roland Elektronische
NORTH AMERICA
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
TEL: (022) 2493 9051
Musikinstrumente HmbH.
Oststrasse 96, 22844 Norderstedt,
GERMANY
INDONESIA
CANADA
COSTA RICA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
TEL: (040) 52 60090
Roland Canada Music Ltd.
UNITED KINGDOM
TEL: (01792) 702701
JUAN Bansbach
(Head Office)
Instrumentos Musicales
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
GREECE
5480 Parkwood Way Richmond
B. C., V6V 2M4 CANADA
TEL: (604) 270 6626
INDONESIA
TEL: (021) 6324170
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
MIDDLE EAST
KOREA
Roland Canada Music Ltd.
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
CHILE
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
Comercial Fancy S.A.
Rut.: 96.919.420-1
BAHRAIN
Moon Stores
HUNGARY
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint, HUNGARY
TEL: (23) 511011
TEL: (905) 362 9707
MALAYSIA
BENTLEY MUSIC SDN BHD
140 & 142, Jalan Bukit Bintang
55100 Kuala Lumpur,MALAYSIA
TEL: (03) 2144-3333
TEL: 211 005
U. S. A.
EL SALVADOR
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
CYPRUS
OMNI MUSIC
IRELAND
75 Avenida Norte y Final
Radex Sound Equipment Ltd.
17, Diagorou Street, Nicosia,
CYPRUS
Roland Ireland
Alameda Juan Pablo
,
Audio House, Belmont Court,
Donnybrook, Dublin 4.
Republic of IRELAND
TEL: (01) 2603501
PHILIPPINES
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: 262-0788
TEL: (323) 890 3700
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
TEL: (022) 66-9426
IRAN
MEXICO
MOCO, INC.
TEL: (02) 899 9801
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico D.F.
MEXICO
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL: (021) 285-4169
As of April 1, 2003 (Roland)
TEL: (55) 5668-6699
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
For EU Countries
This product complies with the requirements of European Directive 89/336/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
01898523
’03-4-5TP
|