Digital Piano
Date: Feb. 1, 2008
Version: 1.00
MIDI Implementation
Model: RD-700GX
❍Data Entry (Controller number 6, 38)
1. Receive data
Status
BnH
2nd byte
06H
3rd byte
mmH
llH
■Channel Voice Messages
BnH
26H
n = MIDI channel number:
0H - FH (ch.1 - 16)
mm, ll = the value of the parameter specified by RPN/NRPN
mm = MSB, ll = LSB
●Note off
Status
2nd byte
kkH
3rd byte
8nH
vvH
❍Volume (Controller number 7)
9nH
kkH
00H
Status
BnH
2nd byte
07H
3rd byte
n = MIDI channel number:
kk = note number:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
00H - 7FH (0 - 127)
vvH
n = MIDI channel number:
vv = Volume:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
vv = note off velocity:
*
Some instruments are not received in Rhythm set.
*
*
Not received when the Rx Volume (EDIT: Part Parameter: Rx Volume) is OFF.
The Part Level parameter will change.
●Note on
Status
2nd byte
kkH
3rd byte
❍Panpot (Controller number 10)
Status
BnH
9nH
vvH
2nd byte
0AH
3rd byte
n = MIDI channel number:
kk = note number:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
01H - 7FH (1 - 127)
vvH
n = MIDI channel number:
vv = Panpot:
0H - FH (ch.1 - 16)
vv = note on velocity:
00H - 40H - 7FH (Left - Center - Right),
●Control Change
*
*
Not received when the Rx Pan (EDIT: Part Parameter: Rx Pan) is OFF.
The pan parameter (EDIT: Part Parameter: Pan) will change.
❍Bank Select (Controller number 0, 32)
Status
BnH
2nd byte
00H
3rd byte
❍Expression (Controller number 11)
mmH
Status
BnH
2nd byte
0BH
3rd byte
BnH
20H
llH
vvH
n = MIDI channel number:
mm, ll = Bank number:
0H - FH (ch.1 - 16)
n = MIDI channel number:
vv = Expression:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
00 00H - 7F 7FH (bank.1 - bank.16384)
*
*
*
Not received when the Rx Bank Select (EDIT: Part Parameter: Rx Bank Select) is OFF.
The SETUP, Rhythms, and Tones corresponding to each Bank Select are as follows.
The SRX series corresponding to each Bank Select are to see the SRX series owner’s
manual.
❍ General Purpose Controller 1 (Controller number 16)
Status
BnH
2nd byte
10H
3rd byte
vvH
n = MIDI channel number:
vv = Control value:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
BANK SELECT
MSB | LSB
| PROGRAM
| NUMBER
| GROUP
|
| NUMBER
|
-----+---------+-----------+----------------------+-----------
❍Hold 1 (Controller number 64)
000 |
| 001 - 128 | GM Tone
|
:
|
|
|
|
Status
BnH
2nd byte
40H
3rd byte
032 |
| 001 - 128 | GM Tone
| 001 - 100 | SETUP
| 001 - 005 | Rhythm Set
|
085 | 000
086 | 064
087 | 064
| 065
| 001 - 100
| 263 - 267
| 001 - 026
| 037 - 057
| 058 - 088
| 099 - 120
| 121 - 146
| 147 - 170
| 171 - 208
| 209 - 236
| 237 - 262
|
vvH
| 001 - 026 | Tone (PIANO)
| 001 - 021 | Tone (E.PIANO)
| 001 - 031 | Tone (CLAV/MALLET)
| 001 - 022 | Tone (ORGAN)
| 001 - 026 | Tone (STRINGS)
| 001 - 024 | Tone (PAD)
| 001 - 038 | Tone (GTR/BASS)
| 001 - 028 | Tone (BRASS/WINDS)
| 001 - 026 | Tone (VOICE/SYNTH)
n = MIDI channel number:
vv = Control value:
0H - FH (ch.1 - 16)
00H - 7FH
| 066
| 067
| 068
| 069
*
Not received when the Rx Hold-1 (EDIT: Part Parameter: Rx Hold-1) is OFF.
| 070
| 071
| 072
❍Portamento (Controller number 65)
|
:
|
|
:
092 | 000 -
| 001 -
| SRX Rhythm
| 001 -
Status
BnH
2nd byte
41H
3rd byte
|
:
|
|
:
|
093 | 000 -
| 001 -
|
| SRX Patch
| 001 -
vvH
|
:
|
:
|
112 | 000
113 | 000
120 |
| 001 - 010 | TW-Organ
| 001 - 010 | S.NaturlEP
| 001 - 057 | GM2 Rhythm
| 001 - 128 | GM2 Tone
| 089 - 098
| 027 - 036
| 268 - 276
| 277 - 532
n = MIDI channel number:
vv = Control value:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
121 | 000 -
*
The Portamento Sw parameter (Tone Info: Portament Sw) will change.
❍Modulation (Controller number 1)
Status
BnH
2nd byte
01H
3rd byte
vvH
❍Sostenuto (Controller number 66)
Status
BnH
2nd byte
42H
3rd byte
n = MIDI channel number:
vv = Modulation depth:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
vvH
n = MIDI channel number:
vv = Control value:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
*
Not received when the Rx Modulation (EDIT: Part Parameter: Rx Modulation) is OFF.
❍Soft (Controller number 67)
❍Portamento Time (Controller number 5)
Status
BnH
2nd byte
43H
3rd byte
Status
BnH
2nd byte
05H
3rd byte
vvH
vvH
n = MIDI channel number:
vv = Control value:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
n = MIDI channel number:
vv = Portamento Time:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
❍Legato Foot Switch (Controller number 68)
*
The Portament Time parameter (Tone Info: Portament Time) will change.
Status
BnH
2nd byte
44H
3rd byte
vvH
n = MIDI channel number:
vv = Control value:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
Copyright © 2008 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
1
MIDI Implementation
●Pitch Bend Change
●POLY (Controller number 127)
Status
2nd byte
3rd byte
Status
2nd byte
3rd byte
EnH
llH
mmH
BnH
7FH
00H
n = MIDI channel number:
mm, ll = Pitch Bend value:
0H - FH (ch.1 - 16)
n = MIDI channel number:
0H - FH (ch.1 - 16)
00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)
*
*
The same processing will be carried out as when All Notes Off is received.
The Mono/Poly parameter (Tone Info: Mono/Poly) will change.
*
Not received when the Rx Bender parameter (EDIT: Part Parameter: Rx Bender) is OFF.
■Channel Mode Messages
■System Realtime Message
●All Sounds Off (Controller number 120)
●Timing Clock
Status
Status
2nd byte
3rd byte
BnH
78H
00H
n = MIDI channel number:
0H - FH (ch.1 - 16)
F8H
*
When this message is received, all notes currently sounding on the corresponding
channel will be turned off.
*
This message will be received if the Clock Source parameter (EDIT: SYSTEM: Clock
Source) is EXT.
●Reset All Controllers (Controller number 121)
●Active Sensing
Status
Status
2nd byte
3rd byte
BnH
79H
00H
FEH
n = MIDI channel number:
0H - FH (ch.1 - 16)
*
When Active Sensing is received, the unit will begin monitoring the intervals of all
further messages. While monitoring, if the interval between messages exceeds 420 ms,
the same processing will be carried out as when All Sounds Off, All Notes Off and Reset
All Controllers are received, and message interval monitoring will be halted.
*
When this message is received, the following controllers will be set to their reset values.
Controller
Pitch Bend Change
Channel Pressure
Modulation
Breath Type
Expression
Hold 1
Reset value
0 (center)
0 (off)
■System Exclusive Message
0 (off)
Status
F0H
Data byte
Status
F7H
0 (min)
iiH, ddH, ......,eeH
127 (max)
F0H:
System Exclusive Message status
0 (off)
Sostenuto
Soft
0 (off)
ii = ID number:
an ID number (manufacturer ID) to indicate the manufacturer whose
Exclusive message this is. Roland’s manufacturer ID is 41H.
ID numbers 7EH and 7FH are extensions of the MIDI standard;
Universal Non-realtime Messages (7EH) and Universal Realtime
Messages (7FH).
0 (off)
Hold 2
0 (off)
RPN
unset; previously set data will not change
unset; previously set data will not change
NRPN
dd,...,ee = data:
F7H:
00H - 7FH (0 - 127)
●All Notes Off (Controller number 123)
EOX (End Of Exclusive)
Status
2nd byte
3rd byte
BnH
7BH
00H
Of the System Exclusive messages received by this device, the Universal Non-realtime
messages and the Universal Realtime messages and the Data Request (RQ1) messages and
the Data Set (DT1) messages will be set automatically.
n = MIDI channel number:
0H - FH (ch.1 - 16)
*
When All Notes Off is received, all notes on the corresponding channel will be turned
off. However, if Hold 1 or Sostenuto is ON, the sound will be continued until these are
turned off.
●Universal Non-realtime System Exclusive Messages
❍Identity Request Message
●OMNI OFF (Controller number 124)
Status
F0H
Data byte
Status
F7H
Status
2nd byte
3rd byte
7EH, dev, 06H, 01H
BnH
7CH
00H
n = MIDI channel number:
0H - FH (ch.1 - 16)
Byte
F0H
7EH
dev
Explanation
Exclusive status
*
The same processing will be carried out as when All Notes Off is received.
ID number (Universal Non-realtime Message)
Device ID (dev: 10H - 1FH (1 - 32), the initial value is 10H (17))
Sub ID#1 (General Information)
●OMNI ON (Controller number 125)
06H
01H
F7H
Sub ID#2 (Identity Request)
Status
2nd byte
3rd byte
EOX (End Of Exclusive)
BnH
7DH
00H
n = MIDI channel number:
0H - FH (ch.1 - 16)
*
When this message is received, Identity Reply message (p. 8) will be transmitted.
*
The same processing will be carried out as when All Notes Off is received. OMNI ON
will not be turned on.
❍GM1 System On
Status
F0H
Data byte
Status
F7H
7EH, 7FH, 09H, 01H
●MONO (Controller number 126)
Status
2nd byte
3rd byte
Byte
F0H
7EH
7FH
09H
01H
F7H
Explanation
BnH
7EH
mmH
Exclusive status
n = MIDI channel number:
mm = mono number:
0H - FH (ch.1 - 16)
00H - 10H (0 - 16)
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (General MIDI Message)
Sub ID#2 (General MIDI 1 On)
EOX (End Of Exclusive)
*
*
The same processing will be carried out as when All Notes Off is received.
The Mono/Poly parameter (Tone Info: Mono/Poly) will change.
*
Not received when the Rx GM/GM2 System On parameter (EDIT: System: Rx GM/GM2
System ON) is OFF.
3
MIDI Implementation
❍GM2 System On
●Global Parameter Control
Status
F0H
Data byte
7EH 7FH 09H 03H
Status
F7H
❍Reverb Parameters
Status
F0H
Data byte
Status
F7H
Byte
F0H
7EH
7FH
09H
03H
F7H
Explanation
Exclusive status
7FH, 7FH, 04H, 05H, 01H, 01H,
01H, 01H, 01H, ppH, vvH
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (General MIDI Message)
Sub ID#2 (General MIDI 2 On)
EOX (End Of Exclusive)
Byte
F0H
7FH
7FH
04H
05H
01H
01H
01H
01H
01H
ppH
vvH
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Global Parameter Control)
Slot path length
*
Not received when the Rx GM/GM2 System On parameter (EDIT: System: Rx GM/GM2
System ON) is OFF.
Parameter ID width
❍GM System Off
Status
F0H
Value width
Data byte
7EH, 7F, 09H, 02H
Status
F7H
Slot path MSB
Slot path LSB (Effect 0101: Reverb)
Parameter to be controlled.
Value for the parameter.
pp=0 Reverb Type
Byte
F0H
7EH
7FH
09H
02H
F7H
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (General MIDI Message)
Sub ID#2 (General MIDI Off)
EOX (End Of Exclusive)
vv = 00H Small Room
vv = 01H Medium Room
vv = 02H Large Room
vv = 03H Medium Hall
vv = 04H Large Hall
vv = 08H Plate
*
Not received when the Rx GS Reset parameter (EDIT: System: Rx GS Reset) is OFF.
pp=1 Reverb Time
●Universal Realtime System Exclusive Messages
vv = 00H - 7FH 0 - 127
EOX (End Of Exclusive)
F7H
❍Master Volume
Status
F0H
❍Chorus Parameters
Data byte
7FH, 7FH, 04H, 01H, llH, mmH
Status
F7H
Status
F0H
Data byte
Status
F7H
7FH, 7FH, 04H, 05H, 01H, 01H,
01H, 01H, 02H, ppH, vvH
Byte
F0H
7FH
7FH
04H
01H
llH
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Master Volume)
Master Volume lower byte
Master Volume upper byte
EOX (End Of Exclusive)
Byte
F0H
7FH
7FH
04H
05H
01H
01H
01H
01H
02H
ppH
vvH
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Global Parameter Control)
Slot path length
mmH
F7H
Parameter ID width
Value width
*
*
The lower byte (llH) of Master Volume will be handled as 00H.
The Master Volume parameter (EDIT: System: Master Volume) will change.
Slot path MSB
Slot path LSB (Effect 0102: Chorus)
Parameter to be controlled.
Value for the parameter.
pp=0 Chorus Type
vv=0 Chorus1
❍Master Fine Tuning
Status
F0H
Data byte
7FH, 7FH, 04H, 03H, llH, mmH
Status
F7H
Byte
F0H
7FH
7FH
04H
03H
llH
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Master Fine Tuning)
Master Fine Tuning LSB
Master Fine Tuning MSB
EOX (End Of Exclusive)
vv=1 Chorus2
vv=2 Chorus3
vv=3 Chorus4
vv=4 FB Chorus
vv=5 Flanger
pp=1 Mod Rate
vv= 00H - 7FH 0 - 127
pp=2 Mod Depth
mmH
F7H
vv = 00H - 7FH 0 - 127
pp=3 Feedback
mm, ll: 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents])
❍Master Coarse Tuning
vv = 00H - 7FH 0 - 127
pp=4 Send To Reverb
vv = 00H - 7FH 0 - 127
EOX (End Of Exclusive)
Status
F0H
Data byte
7FH, 7FH, 04H, 04H, llH, mmH
Status
F7H
F7H
Byte
F0H
7FH
7FH
04H
04H
llH
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Master Coarse Tuning)
Master Coarse Tuning LSB
Master Coarse Tuning MSB
EOX (End Of Exclusive)
mmH
F7H
ll:
ignored (processed as 00H)
mm:
28H - 40H - 58H (-24 - 0 - +24 [semitones])
4
MIDI Implementation
❍Channel Pressure
❍Key-based Instrument Controllers
Status
F0H
Data byte
Status
F7H
Status
F0H
Data byte
Status
F7H
7FH, 7FH, 09H, 01H, 0nH, ppH, rrH
7FH, 7FH, 0AH, 01H, 0nH, kkH, nnH, vvH
Byte
F0H
7FH
7FH
09H
01H
0nH
ppH
rrH
Explanation
Byte
F0H
7FH
7FH
0AH
01H
0nH
kkH
nnH
vvH
Explanation
Exclusive status
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Key-Based Instrument Control)
Sub ID#2 (Controller)
MIDI Channel (00 - 0F)
Key Number
Sub ID#1 (Controller Destination Setting)
Sub ID#2 (Channel Pressure)
MIDI Channel (00 - 0F)
Controlled parameter
Controlled range
Control Number
pp=0 Pitch Control
Value
rr = 28H - 58H -24 - +24 [semitones]
pp=1 Filter Cutoff Control
rr = 00H - 7FH -9600 - +9450 [cents]
pp=2 Amplitude Control
rr = 00H - 7FH 0 - 200%
pp=3 LFO Pitch Depth
nn=07H Level
vv = 00H - 7FH
nn=0AH
0 - 200% (Relative)
Pan
vv = 00H - 7FH
nn=5BH
Left - Right (Absolute)
Reverb Send
vv = 00H - 7FH
nn=5D
0 - 127 (Absolute)
Chorus Send
rr = 00H - 7FH 0 - 600 [cents]
pp=4 LFO Filter Depth
vv = 00H - 7FH
:
0 - 127 (Absolute)
rr = 00H - 7FH 0 - 2400 [cents]
pp=5 LFO Amplitude Depth
rr = 00H - 7FH 0 - 100%
EOX (End Of Exclusive)
:
F7
EOX (End Of Exclusive)
This parameter affects drum instruments only.
F7H
*
❍Controller
Status
●Data Transmission
Data byte
Status
This instrument can use exclusive messages to exchange many varieties of internal settings
F0H
7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH
F7H
with other devices.
The model ID of the exclusive messages used by this instrument is 00H 00H 2BH.
Byte
F0H
7FH
7FH
09H
03H
0nH
ccH
ppH
rrH
Explanation
Exclusive status
❍Data Request 1 RQ1 (11H)
This message requests the other device to transmit data. The address and size indicate the
type and amount of data that is requested.
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Controller Destination Setting)
Sub ID#2 (Control Change)
MIDI Channel (00 - 0F)
When a Data Request message is received, if the device is in a state in which it is able to
transmit data, and if the address and size are appropriate, the requested data is transmitted
as a Data Set 1 (DT1) message. If the conditions are not met, nothing is transmitted.
Controller number (01 - 1F, 40 - 5F)
Controlled parameter
Status
F0H
data byte
status
F7H
Controlled range
41H, dev, 00H, 00H, 2BH, 11H, aaH, bbH, ccH,
ddH, ssH, ttH, uuH, vvH, sum
pp=0 Pitch Control
rr = 28H - 58H -24 - +24 [semitones]
pp=1 Filter Cutoff Control
rr = 00H - 7FH -9600 - +9450 [cents]
pp=2 Amplitude Control
rr = 00H - 7FH 0 - 200%
Byte
F0H
41H
dev
Remarks
Exclusive status
ID number (Roland)
Devdevice ID (dev: 10H - 1FH, 7FH)
Model ID #1 (RD-700GX)
Model ID #2 (RD-700GX)
model ID #3 (RD-700GX)
Command ID (RQ1)
Address MSB
pp=3 LFO Pitch Depth
00H
00H
2BH
11H
aaH
bbH
ccH
ddH
ssH
rr = 00H - 7FH 0 - 600 [cents]
pp=4 LFO Filter Depth
rr = 00H - 7FH 0 - 2400 [cents]
pp=5 LFO Amplitude Depth
rr = 00H - 7FH 0 - 100%
Address
F7H
EOX (End Of Exclusive)
Address
Address LSB
❍Scale/Octave Tuning Adjust
Status
F0H
Size MSB
Data byte
Status
F7H
ttH
Size
7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH...
uuH
vvH
sum
F7H
Size
Size LSB
Byte
F0H
7EH
7FH
08H
08H
ffH
Explanation
Checksum
Exclusive status
EOX (End Of Exclusive)
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
*
*
The size of data that can be transmitted at one time is fixed for each type of data. And
data requests must be made with a fixed starting address and size. Refer to the address
and size given in “Parameter Address Map” (p. 9).
Sub ID#1 (MIDI Tuning Standard)
Sub ID#2 (scale/octave tuning 1-byte form)
Channel/Option byte 1
bits 0 to 1 = channel 15 to 16
bit 2 to 6 = Undefined
For the checksum, refer to 14 page.
ggH
hhH
ssH
Channel byte 2
bits 0 to 6 = channel 8 to 14
Channel byte 3
bits 0 to 6 = channel 1 to 7
12 byte tuning offset of 12 semitones from C to B
00H = -64 [cents]
40H = 0 [cents] (equal temperament)
7FH = +63 [cents]
F7H
EOX (End Of Exclusive)
5
MIDI Implementation
❍Data set 1 DT1
2. Data Transmission
This is the message that actually performs data transmission, and is used when you wish to
transmit the data.
■Channel Voice Messages
Status
F0H
Data byte
Status
F7H
●Note off
Status
41H, dev, 00H, 00H, 2BH, 12H, aaH, bbH,
ccH, ddH, eeH, ... ffH, sum
2nd byte
kkH
3rd byte
8nH
vvH
n = MIDI channel number:
kk = note number:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
00H - 7FH (0 - 127)
Byte
F0H
41H
dev
Explanation
Exclusive status
vv = note of velocity:
ID number (Roland)
Device ID (dev: 10H - 1FH, 7FH, Initial value is 10H)
Model ID #1 (RD-700GX)
Model ID #2 (RD-700GX)
Model ID #3 (RD-700GX)
Command ID (DT1)
●Note on
00H
00H
2BH
12H
aaH
bbH
Status
2nd byte
kkH
3rd byte
9nH
vvH
n = MIDI channel number:
kk = note number:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
01H - 7FH (1 - 127)
Address MSB: upper byte of the starting address of the data to be sent
vv = note on velocity:
Address: upper middle byte of the starting address of the data to be
sent
●Control Change
ccH
Address: lower middle byte of the starting address of the data to be
sent
*
By selecting
a
controller number that corresponds to the setting of parameters of
ddH
eeH
Address LSB: lower byte of the starting address of the data to be sent.
controllers (Slider Assign, FC1/2 Pedal Assign), the RD-700GX can transmit any control
change message.
Data: the actual data to be sent. Multiple bytes of data are transmitted
in order starting from the address.
*
These messages are not transmitted when EXTERNAL Zone Parameter is OFF.
:
:
❍Bank Select (Controller number 0, 32)
ffH
sum
F7H
Data
Checksum
Status
BnH
2nd byte
00H
3rd byte
EOX (End Of Exclusive)
mmH
BnH
20H
llH
*
The amount of data that can be transmitted at one time depends on the type of data, and
data will be transmitted from the specified starting address and size. Refer to the address
and size given in “Parameter Address Map” (p. 9).
n = MIDI channel number:
mm, ll = Bank number:
0H - FH (ch.1 - 16)
00 00H - 7F 7FH (bank.1 - bank.16384)
*
*
Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each
packet will be sent at an interval of about 20 ms.
*
When Rec Mode is ON (EDIT: Utility: Rec Setting: Rec Mode), these messages are
transmitted when Tone is selected.
Regarding the checksum, please refer to p. 14.
❍Modulation (Controller number 1)
Status
BnH
2nd byte
01H
3rd byte
vvH
n = MIDI channel number:
vv = Modulation depth:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
*
These messages are transmitted when Modulation lever is operated.
❍Portamento Time (Controller number 5)
Status
BnH
2nd byte
05H
3rd byte
vvH
n = MIDI channel number:
vv = Portamento Time:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
*
These messages are transmitted when Portament Time is set in EXTERNAL Zone.
❍Data Entry (Controller number 6, 38)
Status
BnH
2nd byte
06H
3rd byte
mmH
BnH
26H
llH
n = MIDI channel number:
0H - FH (ch.1 - 16)
mm, ll = the value of the parameter specified by RPN/NRPN
mm = MSB, ll = LSB
❍Volume (Controller number 7)
Status
BnH
2nd byte
07H
3rd byte
vvH
n = MIDI channel number:
vv = Volume:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
*
*
These messages are transmitted when ZONE LEVEL Slider is operated.
These messages are transmitted when Volume value is set in EXTERNAL Zone.
6
MIDI Implementation
❍Panpot (Controller number 10)
❍Effect 1 (Reverb Send Level) (Controller number 91)
Status
BnH
2nd byte
0AH
3rd byte
Status
BnH
2nd byte
5BH
3rd byte
vvH
vvH
n = MIDI channel number:
vv = Panpot:
0H - FH (ch.1 - 16)
n = MIDI channel number:
vv = Reverb Send Level:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
00H - 40H - 7FH (Left - Center - Right)
*
These messages are transmitted when Pan value is set in EXTERNAL Zone.
*
These messages are transmitted when Reverb value is set in EXTERNAL Zone.
❍Hold 1 (Controller number 64)
❍Effect 3 (Chorus Send Level) (Controller number 93)
Status
BnH
2nd byte
40H
3rd byte
Status
BnH
2nd byte
5DH
3rd byte
vvH
vvH
n = MIDI channel number:
vv = Control value:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
n = MIDI channel number:
vv = Chorus Send Level:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
*
These messages are transmitted when Damper pedal is operated.
*
These messages are transmitted when Chorus value is set in EXTERNAL Zone.
❍Portamento (Controller number 65)
❍RPN MSB/LSB (Controller number 100, 101)
Status
BnH
2nd byte
41H
3rd byte
Status
BnH
2nd byte
65H
3rd byte
mmH
llH
vvH
n = MIDI channel number:
vv = Control value:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
BnH
64H
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm = upper byte (MSB) of parameter number specified by RPN
ll = lower byte (LSB) of parameter number specified by RPN
*
These messages are transmitted when Portament Swicth is set in EXTERNAL Zone.
❍Sostenuto (Controller number 66)
<<< RPN >>>
Status
BnH
2nd byte
42H
3rd byte
Control Changes include RPN (Registered Parameter Numbers), which are extended.
When using RPNs, first RPN (Controller numbers 100 and 101; they can be sent in any
order) should be sent in order to select the parameter, then Data Entry (Controller numbers
6 and 38) should be sent to set the value. Once RPN messages are received, Data Entry
messages that is received at the same MIDI channel after that are recognized as changing
toward the value of the RPN messages. In order not to make any mistakes, transmitting
RPN Null is recommended after setting parameters you need.
vvH
n = MIDI channel number:
vv = Control value:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
❍Soft (Controller number 67)
Status
BnH
2nd byte
43H
3rd byte
vvH
This device transmits the following RPNs.
n = MIDI channel number:
vv = Control value:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
RPN
Data entry
MSB, LSB
mmH, llH
MSB, LSB
00H, 00H
Notes
Pitch Bend Sensitivity
❍Resonance (Controller number 71)
mm: 00H - 18H (0 - 24 semitones)
ll: ignored (processed as 00H)
Channel Fine Tuning
Status
BnH
2nd byte
47H
3rd byte
vvH
00H, 01H
00H, 02H
00H, 05H
7FH, 7FH
mmH, llH
mmH, llH
mmH, llH
---, ---
n = MIDI channel number:
0H - FH (ch.1 - 16)
00H - 7FH (-64 - 0 - +63)
mm, ll: 20 00H - 40 00H - 60 00H
(-4096 x 100 / 8192 - 0 - +4096 x 100 / 8192 cent)
Channel Coarse Tuning
vv= Resonance value (relative change):
*
These messages are transmitted when Resonance value is set in EXTERNAL Zone.
mm: 10H - 40H - 70H (-48 - 0 - +48 semitones)
ll: ignored (processed as 00H)
Modulation Depth Range
❍Release Time (Controller number 72)
Status
BnH
2nd byte
48H
3rd byte
mm, ll: 00 00H - 06 00H
vvH
(0 - 16384 x 600 / 16384 cent)
RPN null
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Release Time value (relative change): 00H - 7FH (-64 - 0 - +63)
These messages are transmitted when Release Time is set in EXTERNAL Zone.
RPN and NRPN will be set as “unspecified.”
Once this setting has been made, subsequent
*
●Program Change
❍Attack Time (Controller number 73)
Status
2nd byte
Status
BnH
2nd byte
49H
3rd byte
CnH
ppH
vvH
n = MIDI channel number:
pp = Program number:
0H - FH (ch.1 - 16)
n = MIDI channel number:
0H - FH (ch.1 - 16)
00H - 7FH (prog.1 - prog.128)
vv = Attack time value (relative change): 00H - 7FH (-64 - 0 - +63)
These messages are transmitted when Attack Time is set in EXTERNAL Zone.
*
When Rec Mode is ON (EDIT: Utility: Rec Setting: Rec Mode), these messages are
transmitted when Tone is selected.
*
❍Cutoff (Controller number 74)
●Pitch Bend Change
Status
BnH
2nd byte
4AH
3rd byte
Status
2nd byte
3rd byte
vvH
EnH
llH
mmH
n = MIDI channel number:
0H - FH (ch.1 - 16)
00H - 7FH (-64 - 0 - +63)
n = MIDI channel number:
mm, ll = Pitch Bend value:
0H - FH (ch.1 - 16)
vv = Cutoff value (relative change):
00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)
*
These messages are transmitted when Cutoff value is set in EXTERNAL Zone.
❍Decay Time (Controller number 75)
Status
BnH
2nd byte
4BH
3rd byte
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Decay Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
These messages are transmitted when Decay Time value is set in EXTERNAL Zone.
*
7
MIDI Implementation
●Data Transmission
■Channel Mode Messages
❍Data set 1DT1 (12H)
●MONO (Controller number 126)
Status
F0H
Data byte
Status
Status
2nd byte
3rd byte
41H, dev, 00H, 00H, 2BH, 12H, aaH, bbH, F7H
ccH, ddH, eeH, ... ffH, sum
BnH
7EH
01H
n = MIDI channel number:
0H - FH (ch.1 - 16)
Byte
F0H
41H
dev
Explanation
*
These messages are transmitted when Mono/Poly value is set to MONO in EXTERNAL
Zone.
Exclusive status
ID number (Roland)
Device ID (dev: 00H - 1FH, Initial value is 10H)
●POLY (Controller number 127)
Status
00H
00H
2BH
12H
aaH
bbH
Model ID #1 (RD-700GX)
2nd byte
3rd byte
Model ID #2 (RD-700GX)
BnH
7FH
00H
Model ID #3 (RD-700GX)
n = MIDI channel number:
0H - FH (ch.1 - 16)
Command ID (DT1)
Address MSB: upper byte of the starting address of the data to be sent
*
These messages are transmitted when Mono/Poly value is set to POLY in EXTERNAL
Zone.
Address: upper middle byte of the starting address of the data to be
sent
ccH
Address: lower middle byte of the starting address of the data to be
sent
■System Realtime Messages
ddH
eeH
Address LSB: lower byte of the starting address of the data to be sent.
Data: the actual data to be sent. Multiple bytes of data are transmitted
●Timing Clock
Status
in order starting from the address.
:
:
F8H
ffH
sum
F7H
Data
Checksum
*
This message will be transmitted if the Clock Out parameter (EDIT: SYSTEM: Clock Out)
is ON.
EOX (End Of Exclusive)
*
The amount of data that can be transmitted at one time depends on the type of data, and
data will be transmitted from the specified starting address and size. Refer to the address
and size given in “Parameter Address Map” (p. 9).
●Start
Status
FAH
*
Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each
packet will be sent at an interval of about 20 ms.
*
This message is sent on START operation when START/STOP function is selected on
Foot Controller or S1/S2 button.
●Stop
Status
FCH
*
This message is sent on STOP operation when START/STOP function is selected on Foot
Controller or S1/S2 button.
●Active Sensing
Status
FEH
*
This message is transmitted at intervals of approximately 250 msec.
■System Exclusive Messages
Universal Non-realtime System Exclusive Message and Data Set 1 (DT1) are the only
System Exclusive messages transmitted by the RD-700GX.
●Universal Non-realtime System Exclusive Message
❍Identity Reply Message
Receiving Identity Request Message, the RD-700GX send this message.
Status
F0H
Data byte
Status
F7H
7EH, dev, 06H, 02H, 41H, 2BH, 02H,
00H, 00H, 00H, 01H, 00H, 00H
Byte
Explanation
F0H
Exclusive status
7EH
ID number (Universal Non-realtime Message)
Device ID (use the same as the device ID of Roland)
Sub ID#1 (General Information)
dev
06H
02H
Sub ID#2 (Identity Reply)
41H
ID number (Roland)
2BH 02H
00H 00H
Device family code (RD-700GX)
Device family number code (RD-700GX)
00H 01H 00H 00H Software revision level
F7H EOX (End of Exclusive)
8
MIDI Implementation
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BEND-UP, BEND-DOWN, AFTERTOUCH, |
OCT-UP, OCT-DOWN, START/STOP, |
TAP-TEMPO, RHY PLY/STP, ARPEGGIO SW, |
SNG PLY/STP, AUDIOKEY ON/OFF, |
MFX1 ON/OFF,MFX2 ON/OFF, |
3. Parameter Address Map
*
Transmission of “#” marked address is divided to some packets. For example, ABH in
hexadecimal notation will be divided to 0AH and 0BH, and is sent/received in this
order.
MFX1 CONTROL, MFX2 CONTROL, |
SETUP-UP, SETUP-DOWN
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|-------------+-----------+----------------------------------------------------|
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00 12 | 0000 aaaa | System S1 Assign
(0 - 14) |
OFF, COUPLE+1OCT, COUPLE-1OCT, |
COUPLE+2OCT, COUPLE-2OCT, |
COUPLE+5TH, COUPLE-4TH, |
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1 RD-700GX (Model ID = 00H 00H 2BH)
OCT-UP, OCT-DOWN, START/STOP, |
TAP-TEMPO, SNG PLY/STP, |
SETUP-UP, SETUP-DOWN, PANEL LOCK
|
00 13 | 0000 aaaa | System S2 Assign
(0 - 14) |
OFF, COUPLE+1OCT, COUPLE-1OCT, |
DCOUPLE+2OCT, COUPLE-2OCT, |
COUPLE+5TH, COUPLE-4TH, |
❍Indivisual Parameters
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*
*
*
These messages are transmitted when Bulk Dump funcion is executed.
Please don’t use a parameter or a address marked <Reserved>.
The parameters for Setup are temporary. If you want to leave the parameters after the
RD-700GX is turned off , execute SETUP Write.
OCT-UP, OCT-DOWN, STADRT/STOP, |
TAP-TEMPO, SNG PLY/STP, |
SETUP-UP, SETUP-DOWN, PANEL LOCK
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|-------------+-----------+----------------------------------------------------|
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00 14 | 0000 000a | Tone Remain
(0 - 1) |
OFF, ON |
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|-------------+----------------------------------------------------------------|
| 00 00 00 15 | Total Size
+------------------------------------------------------------------------------+
|
+------------------------------------------------------------------------------+
* System Sound Control
| Start
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+------------------------------------------------------------------------------+
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Address |
Description
| Offset
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|-------------+----------------------------------------------------------------|
| 00 00 00 00 | System
|-------------+----------------------------------------------------------------|
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Address |
Description
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|-------------+----------------------------------------------------------------|
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00 00 | 0aaa aaaa | Low band Attack time
00 01 | 0aaa aaaa | Low band Release time
00 02 | 00aa aaaa | Low band Threshold
(0 - 100) |
(0 - 100) |
(0 - 36) |
| 10 00 00 00 | Setup (Temporary)
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+------------------------------------------------------------------------------+
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-36, -35, -34, -33, -32, -31, -30, -29, -28, |
-27, -26, -25, -24, -23, -22, -21, -20, -19, |
-18, -17, -16, -15, -14, -13, -12, -11, -10, |
* System
+------------------------------------------------------------------------------+
| Offset
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-9, -8, -7, -6, -5, -4, -3, -2, -1, 0 [dB]
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Address |
Description
00 03 | 0000 aaaa | Low band Ratio
(0 - 13) |
|-------------+----------------------------------------------------------------|
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1:1.0, 1:1.1, 1:1.2, 1:1.4, 1:1.6, |
1:1.8, 1:2.0, 1:2.5, 1:3.2, 1:4.0, |
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00 00 00 | System Common
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00 02 00 | System Sound Control
00 03 00 | System Favorite SETUP
00 04 00 | System V-Link
1:5.6, 1:8.0, 1:16, 1:INF
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00 04 | 000a aaaa | Low band Level
(0 - 24) |
0, 1, 2, 3, 4, 5, 6, 7, 8, 9, |
10,11,12,13,14,15,16,17,18,19, |
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|------------------------------------------------------------------------------+
20,21,22,23,24 [dB]
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* SETUP
00 05 | 0aaa aaaa | Mid band Attack time
00 06 | 0aaa aaaa | Mid band Release time
00 07 | 00aa aaaa | Mid band Threshold
(0 - 100) |
(0 - 100) |
(0 - 36) |
+------------------------------------------------------------------------------+
| Offset
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Address |
Description
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-36, -35, -34, -33, -32, -31, -30, -29, -28, |
-27, -26, -25, -24, -23, -22, -21, -20, -19, |
-18, -17, -16, -15, -14, -13, -12, -11, -10, |
|-------------+----------------------------------------------------------------|
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00 00 00 | SETUP Common
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00 02 00 | SETUP Rhythm/Arpeggio/AudioKey
-9, -8, -7, -6, -5, -4, -3, -2, -1, 0 [dB]
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|-------------+----------------------------------------------------------------|
00 08 | 0000 aaaa | Mid band Ratio
(0 - 13) |
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00 03 00 | SETUP Sound Control
00 04 00 | SETUP Chorus
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1:1.0, 1:1.1, 1:1.2, 1:1.4, 1:1.6, |
1:1.8, 1:2.0, 1:2.5, 1:3.2, 1:4.0, |
00 06 00 | SETUP Reverb
1:5.6, 1:8.0, 1:16, 1:INF
|
|-------------+----------------------------------------------------------------|
00 09 | 000a aaaa | Mid band Level
(0 - 24) |
0, 1, 2, 3, 4, 5, 6, 7, 8, 9, |
10,11,12,13,14,15,16,17,18,19, |
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00 10 00 | SETUP MFX (UPPER1 MFX1)
00 12 00 | SETUP MFX (UPPER1 MFX2)
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20,21,22,23,24 [dB]
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00 1E 00 | SETUP MFX (LOWER2 MFX2)
|-------------+----------------------------------------------------------------|
00 0A | 0aaa aaaa | High band Attack time
00 0B | 0aaa aaaa | High band Release time
00 0C | 00aa aaaa | High band Threshold
(0 - 100) |
(0 - 100) |
(0 - 36) |
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00 30 00 | SETUP Internal Zone (UPPER1)
00 31 00 | SETUP Internal Zone (UPPER2)
00 32 00 | SETUP Internal Zone (LOWER1)
00 33 00 | SETUP Internal Zone (LOWER2)
00 40 00 | SETUP External Zone (UPPER1)
00 41 00 | SETUP External Zone (UPPER2)
00 42 00 | SETUP External Zone (LOWER1)
00 43 00 | SETUP External Zone (LOWER2)
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-36, -35, -34, -33, -32, -31, -30, -29, -28, |
-27, -26, -25, -24, -23, -22, -21, -20, -19, |
-18, -17, -16, -15, -14, -13, -12, -11, -10, |
-9, -8, -7, -6, -5, -4, -3, -2, -1, 0 [dB]
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00 0D | 0000 aaaa | High band Ratio
(0 - 13) |
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1:1.0, 1:1.1, 1:1.2, 1:1.4, 1:1.6, |
1:1.8, 1:2.0, 1:2.5, 1:3.2, 1:4.0, |
|-------------+----------------------------------------------------------------|
1:5.6, 1:8.0, 1:16, 1:INF
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01 00 00 | SETUP Part (Part: 01)
01 01 00 | SETUP Part (Part: 02)
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00 0E | 000a aaaa | High band Level
(0 - 24) |
0, 1, 2, 3, 4, 5, 6, 7, 8, 9, |
10,11,12,13,14,15,16,17,18,19, |
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01 0F 00 | SETUP Part (Part: 16)
20,21,22,23,24 [dB]
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02 00 00 | SETUP Part Piano(Part: 01)
02 20 00 | SETUP Part Piano(Part: 02)
00 0F | 0000 0aaa | Split Freq Low
(0 - 6) |
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200, 250, 315, 400, 500, |
:
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630, 800 [Hz]
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05 60 00 | SETUP Part Piano(Part: 16)
06 00 00 | SETUP Part E.Piano(Part: 01)
06 01 00 | SETUP Part E.Piano(Part: 02)
00 10 | 0000 0aaa | Split Freq High
(0 - 6) |
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2000, 2500, 3150, 4000, 5000, |
6300, 8000 [Hz]
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:
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|-------------+----------------------------------------------------------------|
06 0F 00 | SETUP Part E.Piano(Part: 16)
07 00 00 | SETUP Part ToneWheel(Part: 01)
07 01 00 | SETUP Part ToneWheel(Part: 02)
| 00 00 00 11 | Total Size
+------------------------------------------------------------------------------+
|
:
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* System Favorite SETUP
+------------------------------------------------------------------------------+
07 0F 00 | SETUP Part ToneWheel(Part: 16)
+------------------------------------------------------------------------------+
| Offset
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Address |
Description
* System Common
|-------------+----------------------------------------------------------------|
+------------------------------------------------------------------------------+
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00 00 | 0aaa aaaa | Favorite SETUP0 (Bank A)
00 01 | 0aaa aaaa | Favorite SETUP1 (Bank A)
00 02 | 0aaa aaaa | Favorite SETUP2 (Bank A)
00 03 | 0aaa aaaa | Favorite SETUP3 (Bank A)
00 04 | 0aaa aaaa | Favorite SETUP4 (Bank A)
00 05 | 0aaa aaaa | Favorite SETUP5 (Bank A)
00 06 | 0aaa aaaa | Favorite SETUP6 (Bank A)
00 07 | 0aaa aaaa | Favorite SETUP7 (Bank A)
00 08 | 0aaa aaaa | Favorite SETUP8 (Bank A)
00 09 | 0aaa aaaa | Favorite SETUP9 (Bank A)
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
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| Offset
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Address |
Description
|-------------+----------------------------------------------------------------|
|#
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00 00 | 0000 aaaa |
| 0000 bbbb |
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| 0000 cccc |
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| 0000 dddd | Master Tune
(24 - 2024) |
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-100.0 - 100.0 [cent]
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00 04 | 0aaa aaaa | Master Level
(0 - 127) |
|-------------+-----------+----------------------------------------------------|
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00 05 | 000a aaaa | SETUP Control Channel
(0 - 16) |
1 - 16, OFF |
00 0A | 0aaa aaaa | Favorite SETUP0 (Bank B)
00 0B | 0aaa aaaa | Favorite SETUP1 (Bank B)
00 0C | 0aaa aaaa | Favorite SETUP2 (Bank B)
00 0D | 0aaa aaaa | Favorite SETUP3 (Bank B)
00 0E | 0aaa aaaa | Favorite SETUP4 (Bank B)
00 0F | 0aaa aaaa | Favorite SETUP5 (Bank B)
00 10 | 0aaa aaaa | Favorite SETUP6 (Bank B)
00 11 | 0aaa aaaa | Favorite SETUP7 (Bank B)
00 12 | 0aaa aaaa | Favorite SETUP8 (Bank B)
00 13 | 0aaa aaaa | Favorite SETUP9 (Bank B)
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
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|-------------+-----------+----------------------------------------------------|
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00 06 | 0000 000a | Clock Source
(0 - 1) |
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INT, MIDI
|
00 07 | 0000 000a | Clock Out
(0 - 1) |
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OFF, ON
|
|-------------+-----------+----------------------------------------------------|
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00 08 | 0000 000a | Damper Polarity
(0 - 1) |
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STANDARD, REVERSE
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00 09 | 0000 000a | FC1 Polarity
(0 - 1) |
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STANDARD, REVERSE
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00 14 | 0aaa aaaa | Favorite SETUP0 (Bank C)
00 15 | 0aaa aaaa | Favorite SETUP1 (Bank C)
00 16 | 0aaa aaaa | Favorite SETUP2 (Bank C)
00 17 | 0aaa aaaa | Favorite SETUP3 (Bank C)
00 18 | 0aaa aaaa | Favorite SETUP4 (Bank C)
00 19 | 0aaa aaaa | Favorite SETUP5 (Bank C)
00 1A | 0aaa aaaa | Favorite SETUP6 (Bank C)
00 1B | 0aaa aaaa | Favorite SETUP7 (Bank C)
00 1B | 0aaa aaaa | Favorite SETUP8 (Bank C)
00 1D | 0aaa aaaa | Favorite SETUP9 (Bank C)
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
|
00 0A | 0000 000a | FC2 Polarity
(0 - 1) |
|
|
STANDARD, REVERSE
|
|-------------+-----------+----------------------------------------------------|
|
|
|
|
00 0B | 0000 000a | EQ Mode
(0 - 1) |
|
|
SETUP, SYSTEM
|
00 0C | 0000 000a | SoundControl Mode
(0 - 1) |
|
|
SETUP, SYSTEM
|
|-------------+-----------+----------------------------------------------------|
|
|
00 0D | 0000 000a | Pedal Mode
(0 - 1) |
SETUP, SYSTEM |
|
|
|
|
|-------------+-----------+----------------------------------------------------|
00 1E | 0aaa aaaa | Favorite SETUP0 (Bank D)
00 1F | 0aaa aaaa | Favorite SETUP1 (Bank D)
00 20 | 0aaa aaaa | Favorite SETUP2 (Bank D)
00 21 | 0aaa aaaa | Favorite SETUP3 (Bank D)
00 22 | 0aaa aaaa | Favorite SETUP4 (Bank D)
00 23 | 0aaa aaaa | Favorite SETUP5 (Bank D)
00 24 | 0aaa aaaa | Favorite SETUP6 (Bank D)
00 25 | 0aaa aaaa | Favorite SETUP7 (Bank D)
00 26 | 0aaa aaaa | Favorite SETUP8 (Bank D)
00 27 | 0aaa aaaa | Favorite SETUP9 (Bank D)
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
(0 - 100) |
|
|
00 0E | 0000 000a | S1S2 Mode
(0 - 1) |
SETUP, SYSTEM |
|
|
|-------------+-----------+----------------------------------------------------|
|
|
00 0F | 0aaa aaaa | Audio Level
(0 - 127) |
0-127 |
|
|
|-------------+-----------+----------------------------------------------------|
|
|
|
|
|
|
|
|
|
|
|
00 10 | 0aaa aaaa | System FC1 Assign
(0 - 111) |
OFF, CC01 - CC31, CC33 - CC95, |
BEND-UP, BEND-DOWN, AFTERTOUCH, |
OCT-UP, OCT-DOWN, START/STOP, |
TAP-TEMPO, RHY PLY/STP, ARPEGGIO SW, |
SNG PLY/STP, AUDIOKEY ON/OFF, |
MFX1 ON/OFF,MFX2 ON/OFF, |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-------------+----------------------------------------------------------------|
| 00 00 00 28 | Total Size
+------------------------------------------------------------------------------+
|
MFX1 CONTROL, MFX2 CONTROL, |
SETUP-UP, SETUP-DOWN
|
00 11 | 0aaa aaaa | System FC2 Assign
(0 - 111) |
|
|
OFF, CC01 - CC31, CC33 - CC95, |
9
MIDI Implementation
* System V-Link
|
|
|
|
|
|
MFX1 ON/OFF, MFX2 ON/OFF, |
MFX1 CONTROL, MFX2 CONTROL |
+------------------------------------------------------------------------------+
| Offset
|
|
|
|-------------+-----------+----------------------------------------------------|
|
Address |
Description
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
01 19 | 0000 00aa | MFX Knob1 Assgin
(0 - 2) |
|-------------+----------------------------------------------------------------|
|
|
OFF, MFX1, TEMPO
|
|
|
|
|
|
|
|
|
|
|
|
|
00 00 | 0000 000a | Switch
(0 - 1) |
OFF,ON
(0 - 1) |
|
(0 - 127) |
(0 - 15) |
(0 - 4) |
01 1A | 0000 00aa | MFX Knob2 Assgin
(0 - 2) |
|
|
|
|
|
OFF, MFX2, TEMPO, |
00 01 | 0000 000a | Mode
01 1B | 0000 aaaa | S1 Assign
(0 - 11) |
|
|
BANK/PC.NOTE
|
|
|
|
|
|
|
|
|
|
OFF, COUPLE+1OCT, COUPLE-1OCT, |
COUPLE+2OCT, COUPLE-2OCT, |
COUPLE+5TH, COUPLE-4TH, |
OCT-UP, OCT-DOWN, START/STOP, |
00 02 | 0aaa aaaa | Lowest No
00 03 | 0000 aaaa | Transmit Channel
00 04 | 0000 0aaa | Output Port
|
|
ALL, OUT1, OUT2, OUT3, USB
|
(0 - 87) |
(0 - 87) |
(0 - 1) |
TAP-TEMPO, SNG PLY/STP
|
00 05 | 0aaa aaaa | Key Range Lower
00 06 | 0aaa aaaa | Key Range Upper
00 07 | 0000 000a | Local Control
01 1C | 0000 aaaa | S2 Assign
(0 - 11) |
OFF, COUPLE+1OCT, COUPLE-1OCT, |
COUPLE+2OCT, COUPLE-2OCT, |
COUPLE+5TH, COUPLE-4TH, |
|
|
|
|
|
|
|
|
|
|
|
|
OFF, ON
|
|-------------+----------------------------------------------------------------|
OCT-UP, OCT-DOWN, START/STOP, |
| 00 00 00 08 | Total Size
+------------------------------------------------------------------------------+
|
TAP-TEMPO, SNG PLY/STP
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON |
|
01 1D | 0000 000a | S1 State
|
|
|
* SETUP Common
01 1E | 0000 000a | S2 State
+------------------------------------------------------------------------------+
|
|
| Offset
|
|
|
|-------------+-----------+----------------------------------------------------|
01 1F | 0000 000a | EQ Switch (0 - 1) |
OFF, ON |
|
Address |
Description
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|-------------+----------------------------------------------------------------|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
00 00 | 0aaa aaaa | SETUP Name 1
(32 - 127) |
32 - 127 [ASCII]
01 20 | 000a aaaa | EQ Input Gain
(0 - 30) |
|
|
|
|
|
-15 - +15[dB]
|
00 01 | 0aaa aaaa | SETUP Name 2
00 02 | 0aaa aaaa | SETUP Name 3
00 03 | 0aaa aaaa | SETUP Name 4
00 04 | 0aaa aaaa | SETUP Name 5
00 05 | 0aaa aaaa | SETUP Name 6
00 06 | 0aaa aaaa | SETUP Name 7
00 07 | 0aaa aaaa | SETUP Name 8
00 08 | 0aaa aaaa | SETUP Name 9
00 09 | 0aaa aaaa | SETUP Name 10
00 0A | 0aaa aaaa | SETUP Name 11
00 0B | 0aaa aaaa | SETUP Name 12
(32 - 127) |
(32 - 127) |
(32 - 127) |
(32 - 127) |
(32 - 127) |
(32 - 127) |
(32 - 127) |
(32 - 127) |
(32 - 127) |
(32 - 127) |
(32 - 127) |
01 21 | 0000 000a | EQ Low Type
(0 - 1) |
|
|
Shelving, Peaking
|
01 22 | 000a aaaa | EQ Low Frequency
(0 - 30) |
|
|
|
|
|
|
|
|
16,20,25,31,40,50,63,80,100,125,160, |
200.250,315,400,500,630,800,1000, |
1250,1600,2000,2500,3150,4000,5000, |
6300,8000,10000,12500,16000,[Hz]
|
01 23 | 0aaa aaaa | EQ Low Gain
(4 - 124) |
|
|
-12.0 - +12.0[dB] (1step = 0.2dB)
|
01 24 | 0000 0aaa | EQ Low Q
(0 - 4) |
|
|
0.5, 1.0, 2.0, 4.0, 8.0
|
|-------------+-----------+----------------------------------------------------|
01 25 | 000a aaaa | EQ Mid Frequency
(0 - 30) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
00 0C | 0aaa aaaa | Voice Reserve 1
(0 - 64) |
|
|
|
|
|
|
|
|
16,20,25,31,40,50,63,80,100,125,160, |
200.250,315,400,500,630,800,1000, |
1250,1600,2000,2500,3150,4000,5000, |
|
|
0 - 63, FULL
|
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
(0 - 64) |
00 0D | 0aaa aaaa | Voice Reserve 2
00 0E | 0aaa aaaa | Voice Reserve 3
00 0F | 0aaa aaaa | Voice Reserve 4
00 10 | 0aaa aaaa | Voice Reserve 5
00 11 | 0aaa aaaa | Voice Reserve 6
00 12 | 0aaa aaaa | Voice Reserve 7
00 13 | 0aaa aaaa | Voice Reserve 8
00 14 | 0aaa aaaa | Voice Reserve 9
00 15 | 0aaa aaaa | Voice Reserve 10
00 16 | 0aaa aaaa | Voice Reserve 11
00 17 | 0aaa aaaa | Voice Reserve 12
00 18 | 0aaa aaaa | Voice Reserve 13
00 19 | 0aaa aaaa | Voice Reserve 14
00 1A | 0aaa aaaa | Voice Reserve 15
00 1B | 0aaa aaaa | Voice Reserve 16
6300,8000,10000,12500,16000,[Hz]
|
01 26 | 0aaa aaaa | EQ Mid Gain
(4 - 124) |
|
|
-12.0 - +12.0[dB] (1step = 0.2dB)
|
01 27 | 0000 0aaa | EQ Mid Q
(0 - 4) |
|
|
0.5, 1.0, 2.0, 4.0, 8.0
|
01 28 | 000a aaaa | EQ Mid Frequency
(0 - 30) |
|
|
|
|
|
|
|
|
16,20,25,31,40,50,63,80,100,125,160, |
200.250,315,400,500,630,800,1000, |
1250,1600,2000,2500,3150,4000,5000, |
6300,8000,10000,12500,16000,[Hz]
|
01 29 | 0aaa aaaa | EQ Mid Gain
(4 - 124) |
|
|
-12.0 - +12.0[dB] (1step = 0.2dB)
|
01 2A | 0000 0aaa | EQ Mid Q
(0 - 4) |
|
|
0.5, 1.0, 2.0, 4.0, 8.0
|
|-------------+-----------+----------------------------------------------------|
01 2B | 0000 000a | EQ High Type
(0 - 1) |
|#
|
|
00 1C | 0000 000a |
| 0000 bbbb |
|
|
|
|
Shelving, Peaking
|
01 2C | 000a aaaa | EQ High Frequency
(0 - 30) |
| 0000 cccc | SETUP Tempo
(10 - 500) |
|
|
|
|
|
|
|
|
16,20,25,31,40,50,63,80,100,125,160, |
200.250,315,400,500,630,800,1000, |
1250,1600,2000,2500,3150,4000,5000, |
|-------------+-----------+----------------------------------------------------|
|#
|
|
00 1F | 0000 000a |
| 0000 bbbb |
|
|
6300,8000,10000,12500,16000,[Hz]
|
| 0000 cccc | Upper [Piano] Tone Category
(0 - 511) |
01 2D | 0aaa aaaa | EQ High Gain
(4 - 124) |
|#
|
|
00 22 | 0000 000a |
| 0000 bbbb |
|
|
|
|
-12.0 - +12.0[dB] (1step = 0.2dB)
|
01 2E | 0000 0aaa | EQ High Q
(0 - 4) |
0.5, 1.0, 2.0, 4.0, 8.0
| 0000 cccc | Upper [E.Piano] Tone Category
(0 - 511) |
|
|
|
|#
|
|
00 25 | 0000 000a |
| 0000 bbbb |
|
|
|-------------+-----------+----------------------------------------------------|
|
|
|
|
|
|
|
|
|
|
|
|
|
01 2F | 0aaa aaaa | Key Touch Velocity
(0 - 127) |
| 0000 cccc | Upper [CLAV/MALLET] Tone Category
(0 - 511) |
|
|
REAL, 1 - 127
|
|#
|
|
00 28 | 0000 000a |
| 0000 bbbb |
|
|
01 30 | 0000 0aaa | Key Touch Curve Type
(1 - 5) |
|
|
|
|
SUPER LIGHT, LIGHT, |
| 0000 cccc | Upper [ORGAN] Tone Category
(0 - 511) |
MEDIUM, HEAVY, SUPER HEAVY
|
|#
|
|
00 2B | 0000 000a |
| 0000 bbbb |
|
|
01 31 | 000a aaaa | Key Touch Curve offset
(54 - 73) |
-10 - +9
(1 - 127) |
-63 - +63
(1 - 127) |
-63 - +63
(0 - 1) |
MODE1, MODE2 |
|
|
|
| 0000 cccc | Upper [STRINGS] Tone Category
(0 - 511) |
01 32 | 0aaa aaaa | Key Touch Velocity Delay Sens
|#
|
|
00 2E | 0000 000a |
| 0000 bbbb |
|
|
|
|
|
01 33 | 0aaa aaaa | Key Touch Velocity Key Follow
| 0000 cccc | Upper [PAD] Tone Category
(0 - 511) |
|
|
|
|#
|
|
00 31 | 0000 000a |
| 0000 bbbb |
|
|
01 34 | 0000 000a | Key Touch Mode
|
|
| 0000 cccc | Upper [GUITAR/BASS] Tone Category
(0 - 511) |
|-------------+-----------+----------------------------------------------------|
|#
|
|
00 34 | 0000 000a |
| 0000 bbbb |
|
|
|
|
|
|
|
|
|
|
01 35 | 0000 000a | Slider Select
(0 - 1) |
|
|
ZONE LEVEL, CONTROL
|
| 0000 cccc | Upper [BRASS/WINDS] Tone Category
(0 - 511) |
01 36 | 0aaa aaaa | Slider Assign (UPPER1)
(0 - 97) |
|#
|
|
00 37 | 0000 000a |
| 0000 bbbb |
|
|
|
|
|
|
OFF, CC01 - CC31, CC33 - CC95, |
BEND-UP, BEND-DOWN, AFTERTOUCH, |
| 0000 cccc | Upper [VOICE/SYNTH] Tone Category
(0 - 511) |
01 37 | 0aaa aaaa | Slider Assign (UPPER2)
01 38 | 0aaa aaaa | Slider Assign (LOWER1)
01 39 | 0aaa aaaa | Slider Assign (LOWER2)
(0 - 97) |
(0 - 97) |
(0 - 97) |
|#
|
|
00 3A | 0000 000a |
| 0000 bbbb |
|
|
| 0000 cccc | Upper [RHY/GM2] Tone Category
(0 - 511) |
|-------------+-----------+----------------------------------------------------|
|-------------+-----------+----------------------------------------------------|
|
|
|
|
01 3B | 0000 000a | Split Switch (Internal)
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON |
|#
|
|
00 5B | 0000 000a |
| 0000 bbbb |
|
|
|
|
|
01 3C | 0000 000a | Split Switch (External)
| 0000 cccc | Lower [Piano] Tone Category
(0 - 511) |
|
|
|#
|
|
00 5E | 0000 000a |
| 0000 bbbb |
|
|
|-------------+-----------+----------------------------------------------------|
|
|
|
|
01 3D | 0000 00aa | MFX Source
(0 - 3) |
| 0000 cccc | Lower [E.Piano] Tone Category
(0 - 511) |
|
|
UPPER1,UPPER2,LOWER1,LOWER2
|
|#
|
|
00 61 | 0000 000a |
| 0000 bbbb |
|
|
01 3E | 0000 00aa | MFX Destination
(0 - 2) |
|
|
NORMAL, SAME MFX PART, ALL PART
|
| 0000 cccc | Lower [CLAV/MALLET] Tone Category
(0 - 511) |
|-------------+-----------+----------------------------------------------------|
|#
|
|
00 64 | 0000 000a |
| 0000 bbbb |
|
|
|
|
|
|
01 3F | 0000 000a | Reverb Switch
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON |
|
|
|
| 0000 cccc | Lower [ORGAN] Tone Category
(0 - 511) |
01 40 | 0000 000a | Chorus Switch
|#
|
|
00 67 | 0000 000a |
| 0000 bbbb |
|
|
|
|
|-------------+-----------+----------------------------------------------------|
| 0000 cccc | Lower [STRINGS] Tone Category
(0 - 511) |
|
|
|
|
|
|
|
|
|
01 41 | 0000 aaaa | Harmonic Bar Assign (LOWER2:ON)
(1 - 9) |
|#
|
|
00 6A | 0000 000a |
| 0000 bbbb |
|
|
|
|
16',5-1/3',8',4',2-2/3',1-3/5',2',1-1/3',1'
|
(1 - 9) |
(1 - 9) |
(1 - 9) |
(1 - 9) |
(1 - 9) |
(1 - 9) |
(1 - 9) |
01 42 | 0000 aaaa | Harmonic Bar Assign (LOWER2:OFF)
01 43 | 0000 aaaa | Harmonic Bar Assign (LOWER1:ON)
01 44 | 0000 aaaa | Harmonic Bar Assign (LOWER1:OFF)
01 45 | 0000 aaaa | Harmonic Bar Assign (UPPER2:ON)
01 46 | 0000 aaaa | Harmonic Bar Assign (UPPER2:OFF)
01 47 | 0000 aaaa | Harmonic Bar Assign (UPPER1:ON)
01 48 | 0000 aaaa | Harmonic Bar Assign (UPPER1:OFF)
| 0000 cccc | Lower [PAD] Tone Category
(0 - 511) |
|#
|
|
00 6D | 0000 000a |
| 0000 bbbb |
|
|
| 0000 cccc | Lower [GUITAR/BASS] Tone Category
(0 - 511) |
|#
|
|
00 70 | 0000 000a |
| 0000 bbbb |
|
|
| 0000 cccc | Lower [BRASS/WINDS] Tone Category
(0 - 511) |
|-------------+-----------+----------------------------------------------------|
|#
|
|
00 73 | 0000 000a |
| 0000 bbbb |
|
|
|
|
01 49 | 0000 000a | V-Link Switch
(0 - 1) |
OFF,ON |
|
|
| 0000 cccc | Lower [VOICE/SYNTH] Tone Category
(0 - 511) |
|-------------+-----------+----------------------------------------------------|
|#
|
|
00 76 | 0000 000a |
| 0000 bbbb |
|
|
|
|
01 4A | 0000 00aa | Current Control Zone
(0 - 3) |
UPPER1,UPPER2,LOWER1,LOWER2 |
|
|
| 0000 cccc | Lower [RHY/GM2] Tone Category
(0 - 511) |
|-------------+----------------------------------------------------------------|
|-------------+-----------+----------------------------------------------------|
| 00 00 01 4D | Total Size
+------------------------------------------------------------------------------+
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
01 17 | 0aaa aaaa | FC 1 Assign
(0 - 109) |
OFF, CC01 - CC31, CC33 - CC95, |
BEND-UP, BEND-DOWN, AFTERTOUCH, |
OCT-UP, OCT-DOWN, START/STOP, |
TAP-TEMPO, RHY PLY/STP, ARPEGGIO SW, |
AUDIOKEY ON/OFF,SNG PLY/STP, |
MFX1 ON/OFF, MFX2 ON/OFF, |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MFX1 CONTROL, MFX2 CONTROL |
01 18 | 0aaa aaaa | FC 2 Assign
(0 - 109) |
|
|
|
|
|
|
|
|
|
|
OFF, CC01 - CC31, CC33 - CC95, |
BEND-UP, BEND-DOWN, AFTERTOUCH, |
OCT-UP, OCT-DOWN, START/STOP, |
TAP-TEMPO, RHY PLY/STP, ARPEGGIO SW, |
AUDIOKEY ON/OFF,SNG PLY/STP, |
10
MIDI Implementation
* SETUP Rhythm/Arpeggio
* SETUP MFX
+------------------------------------------------------------------------------+
+------------------------------------------------------------------------------+
| Offset
|
|
|
| Offset
|
|
|
|
Address |
Description
|
Address |
Description
|-------------+----------------------------------------------------------------|
|-------------+----------------------------------------------------------------|
|#
|
00 00 | 0000 aaaa |
|
(0 - 199) |
(0 - 100) |
(0 - 1) |
|#
|
00 02 | 0000 aaaa |
| 0000 bbbb | MFX Type
|
| 0000 bbbb | Rhythm Pattern
(0 - 255) |
|
00 02 | 0aaa aaaa | Rhythm Accent
|-------------+-----------+----------------------------------------------------|
|
00 03 | 0000 000a | Rhythm Set Change Enable
00 04 | 000a aaaa | Rhythm MIDI Out Channel
|#
|
|
00 10 | 0000 aaaa |
|MFX Parameter 1-32
01 0C | 0000 aaaa |
|
|
(0 - 16) |
:
|
:
(12768 - 52768) |
|
|
|
OFF,1-16
|
-20000 - +20000
|
|
00 05 | 0000 0aaa | Rhythm Output Port
(0 - 5) |
ALL, INT, OUT1, OUT2, OUT3, USB |
|-------------+-----------+----------------------------------------------------|
|
|
|
| 00 00 01 10 | Total Size
|
|-------------+-----------+----------------------------------------------------|
+------------------------------------------------------------------------------+
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
00 06 | 0000 0aaa | Arpeggio Zone
(0 - 4) |
|
|
ALL,UPPER1,UPPER2,LOWER1,LOWER2
|
* SETUP Internal Zone
+------------------------------------------------------------------------------+
00 07 | 0000 000a | Arpeggio Switch
(0 - 1) |
|
|
OFF,ON
|
| Offset
|
|
|
00 08 | 0aaa aaaa | Arpeggio Style
00 09 | 0000 aaaa | Arpeggio Motif
(0 - 149) |
(0 - 11) |
|
Address |
Description
|-------------+----------------------------------------------------------------|
|
|
|
|
|
|
UP(L),UP(H&L).UP(_),DOWN(L),DOWN(L&H), |
DOWN_,UP&DOWN(L),UP&DOWN(L&H),UP&DOWN(_), |
|
|
|
|
00 00 | 0aaa aaaa | Keyboard Range Lower
(0 - 87) |
|
|
A0 - UPPER
|
RANDOM(L),RANDOM(_),RHASE
(0 - 100) |
0 - 100% |
|
00 01 | 0aaa aaaa | Keyboard Range Upper
(0 - 87) |
00 0A | 0aaa aaaa | Arpeggio Accent
|
|
LOWER - C8
|
|
|
|-------------+-----------+----------------------------------------------------|
00 0B | 0aaa aaaa | Arpeggio Velocity
(0 - 127) |
|
|
00 02 | 0aaa aaaa | Velocity Range Lower
00 03 | 0aaa aaaa | Velocity Range Upper
(1 - 127) |
(1 - 127) |
|
|
REAL,1 - 127
|
00 0C | 0000 0aaa | Arpeggio Octave Range
(61 - 67) |
|-------------+-----------+----------------------------------------------------|
|
|
-3 - +3
|
|
|
|
00 04 | 0aaa aaaa | Velocity Sensitivity
(1 - 127) |
-63 - +63
(1 - 127) |
00 0D | 0000 000a | Arpeggio Hold
(0 - 1) |
OFF,ON |
|
|
|
|
|
00 05 | 0aaa aaaa | Velocity Max
00 0E | 0aaa aaaa | Key Range Lower
00 0F | 0aaa aaaa | Key Range Upper
00 10 | 0000 aaaa | Rhythm Arpeggio Grid
(0 - 87) |
(0 - 87) |
|-------------+-----------+----------------------------------------------------|
|
|
00 06 | 0aaa aaaa | keyboard Transpose
(16 - 112) |
-48 - +48 |
(0 - 8) |
|
|
|
|
|
|
1/4, 1/8, 1/8L, 1/8H, 1/12, |
|-------------+-----------+----------------------------------------------------|
1/16, 1/16L, 1/16H, 1/24
|
|
|
00 07 | 0000 000a | Zone Switch
(0 - 1) |
OFF, ON |
00 11 | 0000 aaaa | Rhythm Arpeggio Duration
30, 40, 50, 60, 70, 80, 90, 100, 120, FULL
|-------------+----------------------------------------------------------------|
(0 - 9) |
|
|
|
|
|
|-------------+-----------+----------------------------------------------------|
00 08 | 0000 000a | Damper Switch (0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 15) |
1 - 16
|
|
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|
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|
|
| 00 00 00 12 | Total Size
+------------------------------------------------------------------------------+
|
|
|
|
00 09 | 0000 000a | FC1 Switch
|
|
|
* Setup Sound Control
+------------------------------------------------------------------------------+
00 0A | 0000 000a | FC2 Switch
|
|
|
| Offset
|
|
|
00 0B | 0000 000a | Modulation Switch
|
Address |
Description
|
|
|
|-------------+----------------------------------------------------------------|
00 00 | 0000 000a | SoundControl Switch (0 - 1) |
OFF,ON |
00 0C | 0000 000a | Bender Switch
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
|
|
|
|
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|
|
|
|
|
|
|
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|
|
|
|
|
00 0D | 0000 000a | Control Slider Swtch (UPPER1)
00 01 | 0aaa aaaa | Low band Attack time
00 02 | 0aaa aaaa | Low band Release time
00 03 | 00aa aaaa | Low band Threshold
(0 - 100) |
(0 - 100) |
(0 - 36) |
|
|
|
00 0E | 0000 000a | Control Slider Swtch (UPPER2)
|
|
|
|
|
|
|
|
-36, -35, -34, -33, -32, -31, -30, -29, -28, |
-27, -26, -25, -24, -23, -22, -21, -20, -19, |
-18, -17, -16, -15, -14, -13, -12, -11, -10, |
|
|
|
00 0F | 0000 000a | Control Slider Swtch (LOWER1)
|
|
|
-9, -8, -7, -6, -5, -4, -3, -2, -1, 0 [dB]
|
00 10 | 0000 000a | Control Slider Swtch (LOWER2)
00 04 | 0000 aaaa | Low band Ratio
(0 - 13) |
|
|
|
|
|
|
|
|
|
1:1.0, 1:1.1, 1:1.2, 1:1.4, 1:1.6, |
1:1.8, 1:2.0, 1:2.5, 1:3.2, 1:4.0, |
00 11 | 0000 000a | S1 Switch
|
|
|
1:5.6, 1:8.0, 1:16, 1:INF
|
00 12 | 0000 000a | S2 Switch
00 05 | 000a aaaa | Low band Level
(0 - 24) |
0, 1, 2, 3, 4, 5, 6, 7, 8, 9, |
10,11,12,13,14,15,16,17,18,19, |
|
|
|
|
|
|
|
|
|
00 14 | 0000 aaaa | Part Assign
|
|
|
20,21,22,23,24 [dB]
|
|-------------+-----------+----------------------------------------------------|
|-------------+----------------------------------------------------------------|
| 00 00 00 15 | Total Size
+------------------------------------------------------------------------------+
00 06 | 0aaa aaaa | Mid band Attack time
00 07 | 0aaa aaaa | Mid band Release time
00 08 | 00aa aaaa | Mid band Threshold
(0 - 100) |
(0 - 100) |
(0 - 36) |
|
|
|
|
|
|
|
|
|
-36, -35, -34, -33, -32, -31, -30, -29, -28, |
-27, -26, -25, -24, -23, -22, -21, -20, -19, |
-18, -17, -16, -15, -14, -13, -12, -11, -10, |
* SETUP External Zone
+------------------------------------------------------------------------------+
-9, -8, -7, -6, -5, -4, -3, -2, -1, 0 [dB]
|
| Offset
|
|
|
00 09 | 0000 aaaa | Mid band Ratio
(0 - 13) |
|
Address |
Description
|
|
|
|
|
|
1:1.0, 1:1.1, 1:1.2, 1:1.4, 1:1.6, |
1:1.8, 1:2.0, 1:2.5, 1:3.2, 1:4.0, |
|-------------+----------------------------------------------------------------|
|
|
|
|
00 00 | 0aaa aaaa | Keyboard Range Lower
(0 - 87) |
1:5.6, 1:8.0, 1:16, 1:INF
|
|
|
A0 - UPPER
|
00 0A | 000a aaaa | Mid band Level
(0 - 24) |
0, 1, 2, 3, 4, 5, 6, 7, 8, 9, |
10,11,12,13,14,15,16,17,18,19, |
00 01 | 0aaa aaaa | Keyboard Range Upper
(0 - 87) |
|
|
|
|
|
|
|
|
LOWER - C8
|
|-------------+-----------+----------------------------------------------------|
20,21,22,23,24 [dB]
|
|
|
|
|
00 02 | 0aaa aaaa | Velocity Range Lower
(1 - 127) |
00 0B | 0aaa aaaa | High band Attack time
00 0C | 0aaa aaaa | High band Release time
00 0D | 00aa aaaa | High band Threshold
(0 - 100) |
(0 - 100) |
(0 - 36) |
|
|
|
(1 - 127) |
|
00 03 | 0aaa aaaa | Velocity Range Upper
|
|
|
|
|
|
|
|
|
|
-36, -35, -34, -33, -32, -31, -30, -29, -28, |
-27, -26, -25, -24, -23, -22, -21, -20, -19, |
-18, -17, -16, -15, -14, -13, -12, -11, -10, |
|-------------+-----------+----------------------------------------------------|
|
|
|
00 04 | 0aaa aaaa | Velocity Sensitivity
(1 - 127) |
-63 - +63
(1 - 127) |
|
|
|
-9, -8, -7, -6, -5, -4, -3, -2, -1, 0 [dB]
|
00 05 | 0aaa aaaa | Velocity Max
00 0E | 0000 aaaa | High band Ratio
(0 - 13) |
|-------------+-----------+----------------------------------------------------|
|
|
|
|
|
|
1:1.0, 1:1.1, 1:1.2, 1:1.4, 1:1.6, |
1:1.8, 1:2.0, 1:2.5, 1:3.2, 1:4.0, |
|
|
00 06 | 0aaa aaaa | keyboard Transpose
(16 - 112) |
-48 - +48 |
|
|
1:5.6, 1:8.0, 1:16, 1:INF
|
|-------------+-----------+----------------------------------------------------|
00 0F | 000a aaaa | High band Level
(0 - 24) |
0, 1, 2, 3, 4, 5, 6, 7, 8, 9, |
10,11,12,13,14,15,16,17,18,19, |
|
|
00 07 | 0000 000a | Zone Switch
(0 - 1) |
OFF, ON |
|
|
|
|
|
|
|
|
|-------------+-----------+----------------------------------------------------|
00 08 | 0000 000a | Damper Switch (0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 4) |
ALL, OUT1, OUT2, OUT3, USB
|-------------+-----------+----------------------------------------------------|
20,21,22,23,24 [dB]
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
00 10 | 0000 0aaa | Split Freq Low
(0 - 6) |
|
|
|
|
|
|
|
200, 250, 315, 400, 500, |
00 09 | 0000 000a | FC1 Switch
630, 800 [Hz]
|
|
|
|
00 11 | 0000 0aaa | Split Freq High
(0 - 6) |
00 0A | 0000 000a | FC2 Switch
|
|
|
|
2000, 2500, 3150, 4000, 5000, |
|
|
|
6300, 8000 [Hz]
|
00 0B | 0000 000a | Modulation Switch
|-------------+----------------------------------------------------------------|
| 00 00 00 12 | Total Size
+------------------------------------------------------------------------------+
|
|
|
|
00 0C | 0000 000a | Bender Switch
|
|
|
* SETUP Chorus
00 0D | 0000 000a | Control Switch (MFX)
+------------------------------------------------------------------------------+
|
|
|
| Offset
|
|
|
00 0E | 0000 000a | Control Slider Switch (UPPER1)
|
Address |
Description
|
|
|
|-------------+----------------------------------------------------------------|
00 0F | 0000 000a | Control Slider Switch (UPPER2)
|
|
|
|
|
|
00 00 | 0000 aaaa | Chorus Type
(0 - 3) |
|
|
|
|
|
OFF, CHORUS, DELAY, GM2 CHORUS
|
00 10 | 0000 000a | Control Slider Switch (LOWER1)
00 01 | 0aaa aaaa | Chorus Level
00 02 | 0000 00aa |
(0 - 127) |
|
|
|
(reserved)
|
00 11 | 0000 000a | Control Slider Switch (LOWER2)
00 03 | 0000 00aa | Chorus Output Select
(0 - 2) |
MAIN, REV, MAIN+REV |
|
|
|
|
|
00 12 | 0000 0aaa | Transmit Port
|-------------+-----------+----------------------------------------------------|
|
|
|
|#
|
|#
00 04 | 0000 aaaa |
| Chorus Parameter 1-20
00 50 | 0000 aaaa |
|
:
|
:
(12768 - 52768) |
|
|
|
|
|
|
|
|
|
|
|
00 13 | 0000 aaaa | Transmit Channel
(0 - 15) |
1 - 16
(0 - 1) |
OFF, ON |
-20000 - +20000
|
|
|
|
|-------------+----------------------------------------------------------------|
00 14 | 0000 000a | Transmit Bank Select MSB Switch
| 00 00 00 54 | Total Size
|
|
|
+------------------------------------------------------------------------------+
00 15 | 0aaa aaaa | Transmit Bank Select MSB (CC# 0)
00 16 | 0000 000a | Transmit Bank Select LSB Switch
(0 - 127) |
(0 - 1) |
* SETUP Reverb
|
|
OFF, ON
|
+------------------------------------------------------------------------------+
00 17 | 0aaa aaaa | Transmit Bank Select LSB (CC# 32)
00 18 | 0000 000a | Transmit Program Change Switch
(0 - 127) |
(0 - 1) |
| Offset
|
|
|
|
Address |
Description
|
|
OFF, ON
|
|-------------+----------------------------------------------------------------|
00 19 | 0aaa aaaa | Transmit Program Change#
(0 - 127) |
|
|
|
|
00 00 | 0000 aaaa | Reverb Type
(0 - 6) |
|-------------+-----------+----------------------------------------------------|
|
|
|
|
OFF, REVERB, SRV ROOM, SRV HALL, |
|
|
|
00 1A | 0000 000a | Transmit Level Switch
(0 - 1) |
OFF, ON
(0 - 127) |
SRV PLATE, GM2 REVERB, CATHEDRAL
|
|
|
|
00 01 | 0aaa aaaa | Reverb Level
|-------------+-----------+----------------------------------------------------|
(0 - 127) |
00 1B | 0aaa aaaa | Transmit Level (CC# 7)
|-------------+-----------+----------------------------------------------------|
|#
|
|#
00 03 | 0000 aaaa |
| Reverb Parameter 1-20
00 4F | 0000 aaaa |
|
|
|
|
|
00 1C | 0000 000a | Transmit Pan Switch
(0 - 1) |
OFF, ON
(0 - 127) |
L64 - R63 |
:
|
:
(12768 - 52768) |
|
|
|
-20000 - +20000
|
00 1D | 0aaa aaaa | Transmit Pan(CC# 10)
|-------------+----------------------------------------------------------------|
|
|
| 00 00 00 53 | Total Size
|
|-------------+-----------+----------------------------------------------------|
+------------------------------------------------------------------------------+
|
|
00 1E | 0000 000a | Transmit Coarse Tune Switch
(0 - 1) |
OFF, ON |
|
|
11
MIDI Implementation
|
|
00 1F | 0aaa aaaa | Transmit Coarse Tune
(16 - 112) |
-48 - +48
|
|
|
|
|
|
|
|
|
|
|
OFF, ON
|
|
|
|
00 1F | 0000 000a | Receive Volume Switch
(0 - 1) |
|-------------+-----------+----------------------------------------------------|
|
|
OFF, ON
|
|
|
|
|
00 20 | 0000 000a | Transmit Fine Tune Switch
(0 - 1) |
OFF, ON
(14 - 114) |
-50 - +50
00 20 | 0000 000a | Receive Pan Switch
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON |
|
|
|
|
|
|
00 21 | 0aaa aaaa | Transmit Fine Tune
00 21 | 0000 000a | Receive Hold-1 Switch
|
|
|
|
|
|
|-------------+-----------+----------------------------------------------------|
00 22 | 0000 000a | Receive Expression
|
|
|
|
00 22 | 0000 000a | Transmit Mono/Poly Switch
(0 - 1) |
OFF, ON
(0 - 1) |
MONO, POLY
|
|
|
|
|
|-------------+----------------------------------------------------------------|
00 23 | 0000 00aa | Transmit Mono/Poly
| 00 00 00 23 | Total Size
+------------------------------------------------------------------------------+
|
|
|
|
|-------------+-----------+----------------------------------------------------|
|
|
|
|
00 24 | 0000 000a | Transmit Portamento Switch
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
* Setup Piano Setting
|
|
|
+------------------------------------------------------------------------------+
00 25 | 0000 000a | Transmit Portamento Switch Value
| Offset
|
|
|
|
|
|
|
Address |
Description
|-------------+-----------+----------------------------------------------------|
|-------------+----------------------------------------------------------------|
|
|
|
00 26 | 0000 000a | Transmit Portamento Time Switch
(0 - 1) |
OFF, ON
(0 - 127) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
00 00 | 000a aaaa | Tone Number
00 01 | 00aa aaaa | Stereo Width
00 02 | 0000 00aa | Nuance
(0 - 25) |
(0 - 63) |
(0 - 2) |
|
|
|
00 27 | 0aaa aaaa | Transmit Portamento Time
|-------------+-----------+----------------------------------------------------|
|
|
TYPE1, TYPE2, TYPE3
|
(0 - 127) |
(62 - 66) |
|
|
|
|
00 28 | 0000 000a | Transmit Cutoff Switch
(0 - 1) |
OFF, ON
(0 - 127) |
-64 - +63
00 03 | 0aaa aaaa | Duplex Scale Level
00 04 | 0000 0aaa | Hammer Noise Level
|
|
|
00 29 | 0aaa aaaa | Transmit Cutoff
|
|
-2 - 2
|
|
|
|
00 05 | 0aaa aaaa | Damper Noise Level
00 06 | 0aaa aaaa | String Resonance Level
00 07 | 0aaa aaaa | KeyOffSound Level
00 08 | 0aaa aaaa | Velocity Gain Squeeze
00 09 | 0000 000a | Stretch Tune
(0 - 127) |
(0 - 127) |
(0 - 127) |
(0 - 127) |
(0 - 1) |
|-------------+-----------+----------------------------------------------------|
|
|
|
|
00 2A | 0000 000a | Transmit Resonance Switch
(0 - 1) |
OFF, ON
(0 - 127) |
-64 - +63
|
|
|
00 2B | 0aaa aaaa | Transmit Resonance
|
|
|
|
|
OFF,Default
|
|-------------+-----------+----------------------------------------------------|
00 0A | 0000 aaaa | Micro Tune Type
(0 - 15) |
|
|
|
|
00 2C | 0000 000a | Transmit Attack Time Switch
(0 - 1) |
OFF, ON
(0 - 127) |
-64 - +63
|
|
PRST, USER, 1 - 14
|
|
|
|
|-------------+----------------------------------------------------------------|
00 2D | 0aaa aaaa | Transmit Attack Time
|#
|
00 0B | 0000 aaaa |
+
(12 - 1012) |
-50.0 - +50.0 |
|
|
|
:
|
:
|
MicroTune1 - 128
|-------------+-----------+----------------------------------------------------|
|#
04 07 | 0000 aaaa |
|
|
|
|
00 2E | 0000 000a | Transmit Decay Time Switch
(0 - 1) |
OFF, ON
(0 - 127) |
-64 - +63
|-------------+----------------------------------------------------------------|
|
|
|
|
|
|
04 0B | 0000 00aa | DYNAMICS
(0 - 3) |
00 2F | 0aaa aaaa | Transmit Decay Time
|
|
OFF, Type1, Type2, Type3
|
|
|
|
04 0C | 0aaa aaaa | DYNAMICS LEVEL
(1 - 127) |
|-------------+-----------+----------------------------------------------------|
|-------------+----------------------------------------------------------------|
|
|
|
|
00 30 | 0000 000a | Transmit Release Time Switch
(0 - 1) |
OFF, ON
(0 - 127) |
-64 - +63
| 00 00 04 0D | Total Size
+------------------------------------------------------------------------------+
|
|
|
|
00 31 | 0aaa aaaa | Transmit Release Time
|
|
|
* Setup E.Piano Setting
|-------------+-----------+----------------------------------------------------|
+------------------------------------------------------------------------------+
|
|
|
00 32 | 0000 000a | Transmit Pitch Bend Range Switch
(0 - 1) |
OFF, ON
(0 - 48) |
| Offset
|
|
|
|
|
|
|
Address |
Description
00 33 | 00aa aaaa | Transmit Pitch Bend Range
|-------------+----------------------------------------------------------------|
|-------------+-----------+----------------------------------------------------|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
00 00 | 0000 0aaa | ModelType
(0 - 7) |
|
(0 - 1) |
|
|
|
|
00 34 | 0000 000a | Transmit Modulation Depth Switch
(0 - 1) |
OFF, ON
(0 - 127) |
0 - 100 Cent
|
|
|
|
|
00 01 | 0000 000a | Tuning Type
00 35 | 0aaa aaaa | Transmit Modulation Depth
|
|
Type1, Type2
(54 - 74) |
-10 - +10
|
|
|
|
00 02 | 000a aaaa | ToneBar Fork Angle
|-------------+-----------+----------------------------------------------------|
|
|
|
|
|
|
00 36 | 0000 000a | Transmit Chorus Level Switch
(0 - 1) |
OFF, ON
(0 - 127) |
00 03 | 000a aaaa | ToneBar Bell Lebel
(54 - 74) |
-10 - +10
(54 - 74) |
-10 - +10
(54 - 74) |
-10 - +10
(54 - 74) |
-10 - +10
(54 - 74) |
-10 - +10
(62 - 66) |
-2 - +2
|
|
|
|
|
|
00 37 | 0aaa aaaa | Transmit Chorus Level
00 04 | 000a aaaa | Bell Character
|-------------+-----------+----------------------------------------------------|
|
|
|
|
|
|
00 38 | 0000 000a | Transmit Reverb Level Switch
(0 - 1) |
OFF, ON
(0 - 127) |
00 05 | 000a aaaa | KeyOff Mute Sound Level
|
|
|
|
|
|
00 39 | 0aaa aaaa | Transmit Reverb Level
00 06 | 000a aaaa | HAM Noise Lelve
|-------------+-----------+----------------------------------------------------|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
00 3A | 0000 000a | Transmit Control Change 1 Switch
(0 - 1) |
OFF, ON
00 07 | 000a aaaa | Damper Sound Level
|
|
|
|
|
|
00 3B | 0aaa aaaa | Transmit Control Change 1 Number
00 3C | 0aaa aaaa | Transmit Control Change 1 Value
00 3D | 0000 000a | Transmit Control Change 2 Switch
(0 - 127) |
(0 - 127) |
(0 - 1) |
00 08 | 0000 0aaa | Pickup Distance
|
|
|
|-------------+----------------------------------------------------------------|
|
|
OFF, ON
|
| 00 00 00 09 | Total Size
+------------------------------------------------------------------------------+
|
00 3E | 0aaa aaaa | Transmit Control Change 2 Number
00 3F | 0aaa aaaa | Transmit Control Change 2 Value
00 40 | 0000 000a | S1 Switch
(0 - 127) |
(0 - 127) |
(0 - 1) |
* SETUP ToneWheel Setting
|
|
OFF, ON
(0 - 1) |
OFF, ON
|
+------------------------------------------------------------------------------+
00 41 | 0000 000a | S2 Switch
| Offset
|
|
|
|
|
|
|
Address |
Description
|-------------+----------------------------------------------------------------|
|-------------+----------------------------------------------------------------|
| 00 00 00 42 | Total Size
+------------------------------------------------------------------------------+
|
|
|
|
|
|
|
|
|
|
|
|
|
|
00 00 | 0000 00aa | Percussion Harmonic
(0 - 2) |
|
|
OFF, 2ND, 3RD
|
00 01 | 0000 000a | Percussion Decay
(0 - 1) |
* SETUP Part
|
|
SLOW, FAST
|
(0 - 8) |
(0 - 8) |
(0 - 8) |
(0 - 8) |
(0 - 8) |
(0 - 8) |
(0 - 8) |
(0 - 8) |
(0 - 8) |
+------------------------------------------------------------------------------+
00 02 | 0000 aaaa | Harmonic Bar 16'
00 03 | 0000 aaaa | Harmonic Bar 5-1/3'
00 04 | 0000 aaaa | Harmonic Bar 8'
00 05 | 0000 aaaa | Harmonic Bar 4'
00 06 | 0000 aaaa | Harmonic Bar 2-2/3'
00 07 | 0000 aaaa | Harmonic Bar 2'
00 08 | 0000 aaaa | Harmonic Bar 1-3/5'
00 09 | 0000 aaaa | Harmonic Bar 1-1/3'
00 0A | 0000 aaaa | Harmonic Bar 1'
| Offset
|
|
|
|
Address |
Description
|-------------+----------------------------------------------------------------|
|
|
|
|
00 00 | 0000 aaaa | Receive Channel
(0 - 15) |
1 - 16
(0 - 1) |
OFF, ON |
|
|
|
00 01 | 0000 000a | Mute Switch
|
|
|-------------+-----------+----------------------------------------------------|
|
|
|
00 02 | 0aaa aaaa | Tone Bank Select MSB (CC# 0)
00 03 | 0aaa aaaa | Tone Bank Select LSB (CC# 32)
00 04 | 0aaa aaaa | Tone Program Change#
(0 - 127) |
(0 - 127) |
(0 - 127) |
|-------------+----------------------------------------------------------------|
| 00 00 00 0B | Total Size
+------------------------------------------------------------------------------+
|
|-------------+-----------+----------------------------------------------------|
|
|
|
00 05 | 0aaa aaaa | Part Level (CC# 7)
00 06 | 0aaa aaaa | Part Pan (CC# 10)
(0 - 127) |
(0 - 127) |
|
|
L64 - 63R
|
|-------------+-----------+----------------------------------------------------|
|
|
|
|
|
|
|
|
|
|#
|
|
|
|
|
|
|
|
|
|
|
00 07 | 0aaa aaaa | Coarse Tune
(16 - 112) |
-48 - +48
(14 - 114) |
-50 - +50
(0 - 2) |
|
|
|
00 08 | 0aaa aaaa | Fine Tune
|
|
|
00 09 | 0000 00aa | Mono/Poly
|
|
MONO, POLY, MONO/LEGATO
|
(0 - 24) |
(0 - 1) |
00 0A | 000a aaaa | Pitch Bend Range
00 0B | 0000 000a | Portamento Switch
|
|
OFF, ON
|
|
00 0C | 0000 aaaa |
| 0000 bbbb | Portamento Time
00 0E | 0aaa aaaa | Cutoff
(0 - 127) |
(0 - 127) |
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-63 - +63
(0 - 127) |
-63 - +63
(0 - 127) |
-63 - +63
(0 - 127) |
-63 - +63
(0 - 127) |
-63 - +63
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00 0F | 0aaa aaaa | Resonance
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00 10 | 0aaa aaaa | Attack Time
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00 11 | 0aaa aaaa | Decay Time
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00 12 | 0aaa aaaa | Release Time
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|-------------+-----------+----------------------------------------------------|
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00 13 | 0aaa aaaa | Chorus Amount
00 14 | 0aaa aaaa | Reverb Amount
00 15 | 0000 000a | MFX1 Switch
(0 - 127) |
(0 - 127) |
(0 - 1) |
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OFF, ON
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|#
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00 16 | 0000 aaaa |
| 0000 bbbb | MFX1 Type
00 18 | 0000 000a | MFX2 Switch
(0 - 255) |
(0 - 1) |
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OFF, ON
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|#
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00 19 | 0000 aaaa |
| 0000 bbbb | MFX2 Type
(0 - 255) |
|-------------+-----------+----------------------------------------------------|
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00 1B | 0000 000a | Receive Bank Select Switch
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
OFF, ON
(0 - 1) |
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00 1C | 0000 000a | Receive Program Change Switch
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00 1D | 0000 000a | Receive Bender Switch
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00 1E | 0000 000a | Receive Modulation Switch
12
MIDI Implementation
■Decimal and Hexadecimal Table
■Examples of Actual MIDI Messages
(An “H” is appended to the end of numbers in hexadecimal notation.)
In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are
expressed as hexadecimal values for each 7 bits.
<Example1> 92 3E 5F
9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and
5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4),
and velocity 95.
The following table shows how these correspond to decimal numbers.
+——————+——————++——————+——————++——————+——————++——————+——————+
|
D
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H
||
D
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H
||
D
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H
||
D
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H
|
+——————+——————++——————+——————++——————+——————++——————+——————+
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0 | 00H ||
1 | 01H ||
2 | 02H ||
3 | 03H ||
4 | 04H ||
5 | 05H ||
6 | 06H ||
7 | 07H ||
8 | 08H ||
9 | 09H ||
10 | 0AH ||
11 | 0BH ||
12 | 0CH ||
13 | 0DH ||
14 | 0EH ||
15 | 0FH ||
16 | 10H ||
17 | 11H ||
18 | 12H ||
19 | 13H ||
20 | 14H ||
21 | 15H ||
22 | 16H ||
23 | 17H ||
24 | 18H ||
25 | 19H ||
26 | 1AH ||
27 | 1BH ||
28 | 1CH ||
29 | 1DH ||
30 | 1EH ||
31 | 1FH ||
32 | 20H ||
33 | 21H ||
34 | 22H ||
35 | 23H ||
36 | 24H ||
37 | 25H ||
38 | 26H ||
39 | 27H ||
40 | 28H ||
41 | 29H ||
42 | 2AH ||
43 | 2BH ||
44 | 2CH ||
45 | 2DH ||
46 | 2EH ||
47 | 2FH ||
48 | 30H ||
49 | 31H ||
50 | 32H ||
51 | 33H ||
52 | 34H ||
53 | 35H ||
54 | 36H ||
55 | 37H ||
56 | 38H ||
57 | 39H ||
58 | 3AH ||
59 | 3BH ||
60 | 3CH ||
61 | 3DH ||
62 | 3EH ||
63 | 3FH ||
64 | 40H ||
65 | 41H ||
66 | 42H ||
67 | 43H ||
96 | 60H |
97 | 61H |
98 | 62H |
99 | 63H |
<Example2> CE 49
CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and
49H = 73, this is a Program Change message with MIDI CH = 15, program number 74 (Flute
in GS).
68 | 44H || 100 | 64H |
69 | 45H || 101 | 65H |
70 | 46H || 102 | 66H |
71 | 47H || 103 | 67H |
72 | 48H || 104 | 68H |
73 | 49H || 105 | 69H |
74 | 4AH || 106 | 6AH |
75 | 4BH || 107 | 6BH |
76 | 4CH || 108 | 6CH |
77 | 4DH || 109 | 6DH |
78 | 4EH || 110 | 6EH |
79 | 4FH || 111 | 6FH |
80 | 50H || 112 | 70H |
81 | 51H || 113 | 71H |
82 | 52H || 114 | 72H |
83 | 53H || 115 | 73H |
84 | 54H || 116 | 74H |
85 | 55H || 117 | 75H |
86 | 56H || 118 | 76H |
87 | 57H || 119 | 77H |
88 | 58H || 120 | 78H |
89 | 59H || 121 | 79H |
90 | 5AH || 122 | 7AH |
91 | 5BH || 123 | 7BH |
92 | 5CH || 124 | 7CH |
93 | 5DH || 125 | 7DH |
94 | 5EH || 126 | 7EH |
95 | 5FH || 127 | 7FH |
<Example3> EA 00 28
EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H
= 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed
number in which 40 00H (= 64 x 12+80 = 8192) is 0, so this Pitch Bend Value is
28 00H - 40 00H = 40 x 12+80 - (64 x 12+80) = 5120 - 8192 = -3072
If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to
change -200 cents, so in this case -200 x (-3072) ÷ (-8192) = -75 cents of Pitch Bend is being
applied to MIDI channel 11.
<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F
BnH is the Control Change status, and n is the MIDI channel number. For Control Changes,
the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or
more messages consecutive messages have the same status, MIDI has a provision called
“running status” which allows the status byte of the second and following messages to be
omitted. Thus, the above messages have the following meaning.
+——————+——————++——————+——————++——————+——————++——————+——————+
D: decimal
H: hexadecimal
*
*
Decimal values such as MIDI channel and program change are listed as one greater than
the values given in the above table.
B3 64 00
(B3) 65 00
(B3) 06 0C
(B3) 26 00
(B3) 64 7F
(B3) 65 7F
MIDI ch.4, lower byte of RPN parameter number:
(MIDI ch.4) upper byte of RPN parameter number:
(MIDI ch.4) upper byte of parameter value:
00H
00H
0CH
00H
7FH
7FH
A 7-bit byte can express data in the range of 128 steps. For data where greater precision
is required, we must use two or more bytes. For example, two hexadecimal numbers aa
bbH expressing two 7-bit bytes would indicate a value of aa x 128+bb.
(MIDI ch.4) lower byte of parameter value:
*
*
In the case of values which have a sign, 00H = -64, 40H = 0, and 7FH = +63, so that the
decimal expression would be 64 less than the value given in the above chart. In the case
of two types, 00 00H = -8192, 40 00H = 0, and 7F 7FH = +8191. For example, if aa bbH
were expressed as decimal, this would be aa bbH - 40 00H = aa x 128+bb - 64 x 128.
Data marked “Use nibbled data” is expressed in hexadecimal in 4-bit units. A value
expressed as a 2-byte nibble 0a 0bH has the value of a x 16+b.
(MIDI ch.4) lower byte of RPN parameter number:
(MIDI ch.4) upper byte of RPN parameter number:
In other words, the above messages specify a value of 0C 00H for RPN parameter number
00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.
RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates
semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to 12 semitones
(1 octave). (On GS sound generators the LSB of Pitch Bend Sensitivity is ignored, but the
LSB should be transmitted anyway (with a value of 0) so that operation will be correct on
any device.)
<Example1>
What is the decimal expression of 5AH?
From the preceding table, 5AH = 90
<Example2>
Once the parameter number has been specified for RPN or NRPN, all Data Entry messages
transmitted on that same channel will be valid, so after the desired value has been
transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents.
This is the reason for the (B3) 64 7F (B3) 65 7F at the end.
What is the decimal expression of the value 12 34H given as hexadecimal
for each 7 bits?
From the preceding table, since 12H = 18 and 34H = 52
18 x 128+52 = 2356
It is not desirable for Performance data (such as Standard MIDI File data) to contain many
events with running status as given in <Example 4>. This is because if playback is halted
during the song and then rewound or fast-forwarded, the sequencer may not be able to
transmit the correct status, and the sound generator will then misinterpret the data. Take
care to give each event its own status.
<Example3>
What is the decimal expression of the nibbled value 0A 03 09 0D?
From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13
((10 x 16+3) x 16+9) x 16+13 = 41885
It is also necessary that the RPN or NRPN parameter number setting and the value setting
be done in the proper order. On some sequencers, events occurring in the same (or
consecutive) clock may be transmitted in an order different than the order in which they
were received. For this reason it is a good idea to slightly skew the time of each event (about
1 tick for TPQN = 96, and about 5 ticks for TPQN = 480).
<Example4>
What is the nibbled expression of the decimal value 1258?
16 ) 1258
16 )
16 )
78 ...10
4 ...14
0 ... 4
*
TPQN: Ticks Per Quarter Note
Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the result is: 00 04 0E
0AH.
13
MIDI Implementation
■ Example of an Exclusive Message and Calculating a
■ASCII Code Table
Checksum
Setup Name of MIDI data are described the ASCII code in the table below.
+——————+——————+——————++——————+——————+——————++——————+——————+——————+
Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before
F7) to make sure that the message was correctly received. The value of the checksum is
determined by the address and data (or size) of the transmitted Exclusive message.
|
D
|
H
| Char ||
D
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H
| Char ||
D
|
H
| Char |
+——————+——————+——————++——————+——————+——————++——————+——————+——————+
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32 | 20H | SP ||
64 | 40H |
65 | 41H |
66 | 42H |
67 | 43H |
68 | 44H |
69 | 45H |
70 | 46H |
71 | 47H |
72 | 48H |
73 | 49H |
74 | 4AH |
75 | 4BH |
76 | 4CH |
77 | 4DH |
78 | 4EH |
79 | 4FH |
80 | 50H |
81 | 51H |
82 | 52H |
83 | 53H |
84 | 54H |
85 | 55H |
86 | 56H |
87 | 57H |
88 | 58H |
89 | 59H |
90 | 5AH |
91 | 5BH |
92 | 5CH |
93 | 5DH |
94 | 5EH |
95 | 5FH |
@
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
[
\
]
^
_
||
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||
||
96 | 60H |
97 | 61H |
98 | 62H |
99 | 63H |
`
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
{
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}
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33 | 21H |
34 | 22H |
35 | 23H |
36 | 24H |
37 | 25H |
38 | 26H |
39 | 27H |
40 | 28H |
41 | 29H |
42 | 2AH |
43 | 2BH |
44 | 2CH |
45 | 2DH |
46 | 2EH |
47 | 2FH |
48 | 30H |
49 | 31H |
50 | 32H |
51 | 33H |
52 | 34H |
53 | 35H |
54 | 36H |
55 | 37H |
56 | 38H |
57 | 39H |
58 | 3AH |
59 | 3BH |
60 | 3CH |
61 | 3DH |
62 | 3EH |
63 | 3FH |
!
"
#
$
%
&
`
(
)
*
+
,
—
.
/
0
1
2
3
4
5
6
7
8
9
:
;
<
=
>
?
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|| 100 | 64H |
|| 101 | 65H |
|| 102 | 66H |
|| 103 | 67H |
|| 104 | 68H |
|| 105 | 69H |
|| 106 | 6AH |
|| 107 | 6BH |
|| 108 | 6CH |
|| 109 | 6DH |
|| 110 | 6EH |
|| 111 | 6FH |
|| 112 | 70H |
|| 113 | 71H |
|| 114 | 72H |
|| 115 | 73H |
|| 116 | 74H |
|| 117 | 75H |
|| 118 | 76H |
|| 119 | 77H |
|| 120 | 78H |
|| 121 | 79H |
|| 122 | 7AH |
|| 123 | 7BH |
|| 124 | 7CH |
|| 125 | 7DH |
●How to calculate the checksum
(hexadecimal numbers are indicated by “H”)
The checksum is a value derived by adding the address, size, and checksum itself and
inverting the lower 7 bits.
Here’s an example of how the check sum is calculated. We will assume that in the Exclusive
message we are transmitting, the address is aa bb cc ddH and the data or size is ee ffH.
aa + bb + cc + dd + ee + ff = sum
sum ÷ 128 = quotient ... remainder
128 - remainder = checksum
<Example1> Setting CHORUS TYPE to DELAY (DT1)
According to the “Parameter Address Map” (p. 9), the start address of Temporary Setup is
10 00 00 00H, the offset address of CHORUS at Setup is 04 00H, and the address of
CHORUS TYPE is 00 00H. Therefore the address of CHORUS TYPE of Setup is;
||
||
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+——————+——————+——————++——————+——————+——————++——————+——————+——————+
10 00 00 00H
04 00H
D: decimal
H: hexadecimal
+)
00 00H
10 00 04 00H
*
“SP” is space.
DELAY has the value of 02H.
So the system exclusive message should be sent is;
F0
41
10
00 00 2B 12
(4) (5)
10 00 04 00
address
02
??
F7
(1)
(2)
(3)
data
checksum
(6)
(1) Exclusive Status
(2) ID (Roland)
(3) Device ID (17)
(4) Model ID (RD-700GX) (5) Command ID (DT1)
(6) End of Exclusive
Then calculate the checksum.
10H + 00H + 04H + 00H + 02H = 16 + 0 + 4 + 0 + 2 = 22 (sum)
22 (sum) ÷ 128 = 0 (quotient) ... 22 (remainder)
checksum = 128 - 22 (remainder) = 106 = 6AH
This means that F0 41 10 00 43 12 10 00 04 00 02 6A F7 is the message should be sent.
<Example2> Getting Temporary Performance data (RQ1)
cf.) This operation is the same as Bulk Dump Temporary function in Utility.
According to the “Parameter Address Map” (p. 9), the start address of Temporary Setup is
assigned as following:
10 00 00 00H
10 07 0F 00H
Setup Common
:
Setup Part Tone Wheel (Part: 16)
As the data size of Setup Tone Wheel Parameter is 00 00 00 0BH, summation of the size and
the start address of Setup Tone Wheel Parameter 16 at Temporary Setup will be;
10 07 0F 00H
+) 00 00 00 0BH
10 07 0F 0BH
And the size that have to be got should be;
10 07 0F 0BH
-) 10 00 00 00H
00 07 0F 0BH
Therefore the system exclusive message should be sent is;
F0
41
10
00 00 2B 11
(4) (5)
10 00 00 00
address
00 07 0F 0B
data
??
F7
(1)
(2)
(3)
checksum
(6)
(1) Exclusive Status
(2) ID (Roland)
(3) Device ID (17)
(6) End of Exclusive
(4) Model ID (RD-700GX) (5) Command ID (RQ1)
Calculating the checksum as shown in <Example 1>, we get a message of F0 41 10 00 00 2B
11 10 00 00 00 00 07 0F 0B 41 F7 to be transmitted.
14
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